韦伯第一和第二钢琴奏鸣曲之音乐解析与演奏诠释研究

发布时间：2018-05-04 09:20

本文选题：卡尔·玛利亚·冯·韦伯 + 钢琴　；参考：《上海音乐学院》2010年硕士论文

【摘要】： 18世纪末至19世纪初是西方音乐从古典主义向浪漫主义风格转变的时期,这种变化涉及到音乐生活、音乐的社会功能、审美观念、音乐家的生存状态以及音乐风格的诸多方面。卡尔·玛利亚·冯·韦伯的一生正是横跨这两个世纪,他的音乐在许多方面反映出这种变化。韦伯是作曲家、指挥家、音乐评论家,也是优秀的钢琴演奏家。他的钢琴音乐创作虽然数量不多,但与他的演奏活动紧密相联,反映了19世纪初对钢琴音乐审美趣味的改变,也体现了他个人对新风格的探索的特征。韦伯钢琴音乐的总体特征是体现19世纪作曲家和听众对小型体裁以及新鲜音响效果、炫技性风格的偏爱；他对标题性作品的倡导；他的奏鸣曲体现了对传统体裁的继承和在新风格影响下有所变化。他的音乐语言个性鲜明,并对后世作曲家有所影响。论文以韦伯的第一和第二钢琴奏鸣曲作为研究对象,对这两首奏鸣曲分别进行了音乐解析,并结合笔者本人的演奏体会对演奏诠释进行探讨的。。全文将分为引言、三个章节、及参考文献,并附有两个附录：韦伯生平活动年表、韦伯钢琴作品目录。第一章是对韦伯生平概述,以及对韦伯钢琴音乐风格的综述。第二、三章分别对韦伯第一和第二钢琴奏鸣曲的创作背景、音乐作品解析和演奏诠释进行探讨研究。韦伯在钢琴奏鸣曲中所表达出来的抒情风格、如画般的色彩、戏剧场景以及艺术手法,都成为他浪漫主义开端的象征。他非常善于在自己的钢琴奏鸣曲中通过充满想象力的音质来表现其个性和浪漫主义倾向。他具有一种独特的能力,能将管弦乐队的音响效果融入到钢琴演奏中使钢琴获得更加浑厚丰满的音色；在他当时所属的时代,韦伯通过充分扩展和改进钢琴键盘的演奏而获得了丰富的音域范围、剧烈的戏剧冲突以及强烈的对比效果。
[Abstract]:From the end of the 18th century to the beginning of the 19th century, western music changed from classicism to romanticism, which involved music life, social function of music, aesthetic concept, living state of musicians and many aspects of musical style. Carl Maria von Webb's life spans these two centuries, and his music reflects this change in many ways. Weber is a composer, conductor, music critic and excellent pianist. Although his piano music creation is not many, it is closely related to his playing activities, which reflects the change of aesthetic taste of piano music in the early 19th century, and also reflects the characteristics of his personal exploration of the new style. The general characteristics of Weber's piano music are his preference for small genre, fresh sound effects and technical style, his advocacy for title works, and audience's preference for small genre and fresh sound effects. His sonata reflects the inheritance of traditional genres and changes under the influence of new styles. His musical language has a distinct personality and has an influence on future composers. This paper takes Weber's first and second piano sonatas as the object of study, analyzes the two sonatas respectively, and discusses the interpretation of the two sonatas in combination with the author's own experience. The full text will be divided into introduction, three chapters, and references, with two appendices: chronology of Weber's life events, catalogue of Weber's piano works. The first chapter is an overview of Weber's life, as well as a summary of Weber's piano music style. In the second and third chapters, the background, the interpretation and the interpretation of Weber's first and second piano sonatas are discussed. The lyrical style expressed by Weber in piano sonatas, such as picturesque colors, dramatic scenes and artistic techniques, has become a symbol of the beginning of his romanticism. He is very good at expressing his personality and romantic tendencies in his piano sonatas through imaginative sound quality. He had a unique ability to incorporate the sound effects of an orchestra into the playing of the piano to give it a fuller tone; in his time, By fully expanding and improving the performance of the piano keyboard, Weber obtained rich range, violent dramatic conflict and strong contrast effect.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J624.1

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