苏轼的书法和他的时代

发布时间：2018-03-11 06:50

  本文选题：苏轼　切入点：欧阳修　出处：《中国美术学院》2016年博士论文　论文类型：学位论文

【摘要】：北宋是中国书法史上的重要时期。“帖学”的勃兴,滥觞于此,书学整体的的盛衰也以此为转折,而后荣光渐褪,趣味趋简。这是一个奇怪的现象。在这一转变之中,苏轼是极为关键的人物。本文通过对北宋中晚期的书写环境与士大夫书法态度的观察,讨论了苏轼的书法实践与书学观念,并由他几篇流传深广,影响久远的论书文字,追索其言语间的意旨所在,并抉别辨析他与并世诸贤在书法观念上的异同。文章由苏轼的早年学书经历进入,对他的风格由来进行了讨论。第二部分,是本文的重点,由于苏轼论书的一些代表性文字,在后世常被视作“尚意”书风的论据,本文在对具体文本的分析和当时士人整体书写状况的考量之下,对历来成说提出了质疑。由于性格的多面和学书取法的宽泛,苏轼在言论与书写上常有矛盾的表现,文章的第三部分对此有所论述。此外,文章还论及苏轼的几首论书诗,将这些诗句结合到具体的语境中,提出了个人的意见。
[Abstract]:The Northern Song Dynasty is an important period in the history of calligraphy. Chinese "calligraphy" flourishing, originate from this book, and the whole but also as a turning point, and then gradually faded glory, taste of simplicity. This is a strange phenomenon. In this transformation, Su Shi is the key figure. This article through to the mid and late Northern Song dynasty literati calligraphy writing environment and attitude, discusses the practice of calligraphy and Book Su Shi's idea, and he spread a few profound, far-reaching theory book, the recourse between speech intention, and one of his books don't law ideas on similarities and differences and the world Xian. The article by Su Shi's early learning experience into the book, on the origin of his style is discussed. The second part is the focus of this article, because Su Shi on the book of some representative words in later generations are often regarded as "Shangyi" Book wind argument, based on the analysis of the specific text And the status of intellectuals overall writing under consideration, questioned always said. Because of the characters and multi-faceted study book by Su Shi broad, often contradictory performance in speech and writing, the third part of this paper. In addition, the article also deals with Su Shi's first few poems on calligraphy, combination these verses in specific context, puts forward personal opinions.

【学位授予单位】：中国美术学院
【学位级别】：博士
【学位授予年份】：2016
【分类号】：J292.1
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本文编号：1597045