白蕉书学研究

发布时间：2018-05-20 13:05

本文选题：白蕉书学 + 碑帖交融　；参考：《中国艺术研究院》2017年博士论文

【摘要】：海上白蕉(1907-1969),是从民国就凸显出来的一位帖派书法大家。在民国书坛业已形成的“碑帖合流”的大背景下,白蕉学书由唐而入魏晋,始终坚持主宗“二王”,专心致志,研精体悟,狂狷独行,涵泳百家,终成正果。书艺之外,兼擅诗文画印,学识渊博,早有“海上名士”之誉。白蕉书学,大体可分为两大块:一是他的书法实践,二是他的书论。实践,体现在他以宗法“二王”为旨归的学书历程及其留下的作品上;书论,则是他基于自身丰厚的学识修养,对书法总体认知的理性思考的成果。前者可谓之“字内功”,后者可谓之“字外功”。白蕉正是字内功和字外功高度结合的典范。本论文旨在以白蕉书学为中心,对其书学成就做全方位的考察、梳理和研究。白蕉诗文画印诸方面的成就,因与书学理论上是相通的,故亦予以兼顾。本论文除“绪论”外,下分五章,大体思路与考论重点如下:其一,重在对与书学相关的白蕉“艺术人生”轨迹的考察,突出其性情的真率,为艺的专注,办事的热诚,艺术身份的隐显进退以及被打成右派仍能移情艺事、潜研不已的精神品格(见第一章)。其二,是对白蕉书学——书艺成就和书论成就的考论。书艺方面,主要围绕白蕉宗法“二王”一脉的学书理念与创作理念,突出其师法古人、崇尚魏晋、主宗“二王”的学书之路。通过对白蕉存世作品的动态分析,厘清其书艺递进的脉络,并对其书法技能特征、风格特征做深入的分析,揭示其对“二王”一脉书法把握与体悟的高度。书论方面,则就白蕉对书学总体、技法、神韵、品评、育人等认识所形成的创作观、批评观、鉴赏观、教育观,择其精要,条分缕析,详加考述。此为本论文的重中之重(见第二章、第三章)。其三,对白蕉书学建构做进一步剖析。白蕉精于书道,兼长诗文画印,文史底子深厚,白蕉书学便是由其综合文化学养融通化运铸成的。正是丰厚的学养,使他对书道有很高的见地。统观白蕉书艺之脱尘出俗,书论之深入肌理,至如笔、墨、纸、砚之雅玩,凡此种种,均不外乎“学养”使然(见第四章)。其四,主要申论白蕉书学的当代价值和意义。公认白蕉最闪光的佳作,往往是他娴静中不太经意写下的书信或诗文手稿,须知此种书写行为,正是古人写字极普遍极重要的一块,现在却被忽视而愈见萎缩,故笔者特拈出“回归日常书写”这一值得人们反思的命题,加以论述。再者,观照当前书坛帖学创作存在的单纯模古、千人一面、无法深入的现象,笔者提出“回归帖学正道”是当务之急。白蕉学“二王”,最终是他自己的面目,我们反观白蕉书学,则正是与“帖学正道”脉脉相通的。那么,我们还要追问,白蕉书学的核心实质何在?笔者认为,即“字内功”和“字外功”相结合的问题,字内、字外双修,最终归结到修心的问题——这就是白蕉书学最显著的当下意义之所在(见第五章)。
[Abstract]:Shijiao, 1907-1969, is a prominent calligrapher from the Republic of China. Under the background of "the confluence of tablet and placard" formed in the Republic of China, Bai Jiao's study book entered the Wei and Jin dynasties from the Tang Dynasty, and always insisted on the "two kings" of the main clan. Besides book art, he is also good at poetry, painting and printing, and has long been known as a famous man at sea. Baijiao calligraphy can be divided into two parts: one is his calligraphy practice, the other is his book theory. The practice is embodied in his learning course and his works which are aimed at the patriarchal "two kings", while the book theory is the result of his rational thinking on the overall cognition of calligraphy based on his rich knowledge and accomplishment. The former can be described as "word internal work", the latter can be described as "word outside the work." Banana is a high combination of internal and external work. The purpose of this thesis is to make an all-round investigation and research on the study of banana calligraphy. The achievements of Baijiao's poetry, painting and printing are connected with the theory of calligraphy, so they are also taken into account. In addition to "introduction", this paper is divided into five chapters. The main ideas and key points are as follows: first, it focuses on the investigation of the track of "artistic life" related to the study of books, highlighting the true rate of its temperament, focusing on the dedication of art, and zeal for handling affairs. The advancement and retreat of artistic identity and the ability of being beaten right to empathize and develop the spiritual character (see chap. I). Secondly, it is the textual research on the achievement of the book art and the book theory. In the aspect of calligraphy, it mainly revolves around the idea of learning books and writing ideas of "two kings" of Baicao patriarchal system, highlighting the way of learning books of the ancients, advocating the Wei and Jin dynasties, and the theme of "two kings". Based on the dynamic analysis of Baicao's works, this paper clarifies the progressive context of his calligraphy skills, and makes a thorough analysis of his calligraphy skills and style characteristics, thus revealing his height of grasping and understanding the calligraphy of "two kings" and one vein of calligraphy. In the aspect of book theory, the author discusses the creation, criticism, appreciation, education, selection and analysis of the whole, technique, charm, evaluation and education of Canna. This is the most important part of this thesis (see Chapter two, Chapter III). Thirdly, further analysis is made on the construction of Canna Scholarology. Canna is good at the book, and long poetry, painting and printing, literary and historical foundation is profound, banana calligraphy is from its comprehensive cultural education melt into the cast. It was his rich education that gave him great insight into the book. General view of the white banana book art out of vulgarity, book theory in-depth texture, to such as pen, ink, paper, inkstone elegant play, all these, all these are nothing more than "raise" the result (see chapter IV). Fourth, the main argument on the contemporary value and significance of Canna Scholars. It is generally acknowledged that the most brilliant works of Canna are letters or manuscripts of poetry that he has not written with great subtlety. It should be noted that such writing is an extremely important piece of ancient writing, but it is now neglected and dwindling. Therefore, the author comes up with the proposition of "return to everyday writing", which is worth reflecting on. Furthermore, considering the phenomenon that there are only a thousand people and can not go deep into the book writing, the author puts forward that "returning to the right way of post study" is an urgent matter. White banana studies, "two kings", is ultimately his own face, we look at the banana book, it is with the "study of the right way" the same vein. So, we still have to ask, where is the core essence of Canna Scholars? The author believes that the combination of "internal work" and "external work", the problem of double revision inside and outside of characters, is ultimately attributed to the problem of mind revision-which is where the most significant current significance of banana calligraphy lies (see Chapter 5).
【学位授予单位】：中国艺术研究院
【学位级别】：博士
【学位授予年份】：2017
【分类号】：J292.1

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