“翰墨传承”——书家创作感言

发布时间：2018-05-21 08:24

本文选题：慧力 + 伦杰贤　；参考：《中国书法》2012年11期

【摘要】：正伦杰贤(中国书协理事、行书专业委员会副主任)书画崇尚中锋用笔古来盛传,视为正脉。后之更甚,有须笔笔中锋之盛说。然纵观历代法书遗墨,除篆隶外,均多为侧锋用笔也。窃以为,先贤所谓中锋者,实以意念中锋而为之,力求运笔沉实朴厚,不偏不倚,凸显中和之美。故使笔中却多施侧势,巧使慧力,虚实相生,尽得妙趣。实乃先贤高明之处也!坡翁之把笔无定法;萍翁之作画须有华才,方能使观者快心。凡苦言中锋使笔者,实无才气之流也!是也。然知用笔者,唯
[Abstract]:Zheng Lun Jiexian (China Shuxien Council, deputy director of the professional committee of writing) calligraphy and painting advocate the centroid pen to the ancient times, as a positive vein. The latter is even more, there is a pen center Sheng said. However, throughout the history of calligraphy and ink, in addition to Zhuan Li, most of the side-front pen is also. Think that the sages so-called center, the idea of the center to do it, strive to carry the pen heavy, unbiased, highlight the beauty of neutralization. So that pen but more side potential, skillfully make the wisdom, virtual reality born together, all wonderful interest. In fact, it is the wise place of the sages! Poon's pen is indeterminate; Ping-weng 's painting must have a talent to make the viewer happy. Where the bitter words of the center of the writer, really no talent of the stream also! Yes, yes. Knowing and using the autho
【分类号】：J292.1

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