“本土丑”与“西洋丑”的隔空对话——论中西方“丑的艺术”的契合之处

发布时间：2018-01-19 07:43

本文关键词： 审美文化艺术作品丑的艺术审丑美学特征　出处：《艺术百家》2012年S2期 　论文类型：期刊论文

【摘要】："丑的艺术"源自生活、植根民间,是对传统"主流美"的挑战与创新。在当代艺术对传统艺术解构的审美文化背景下,"丑的艺术"比"美的艺术"更加能吸引人们的眼球。"丑的艺术"直接来源于对生活中的"丑"的提炼,因而贴近现实,更生活化,更加真实。有些"丑",比"美"更加可信,更加可爱,更能深入人心。中西方文化的差异性形成了二者各有千秋的"丑的艺术"。本文主要从文学艺术、戏剧艺术、影视艺术、书画艺术、雕塑艺术这五个方面,对中西方的"丑的艺术"进行剖析和比较,通过二者的契合之处,进而探讨中西方审丑文化的同一性,以及审丑在美学中的地位和理论价值。
[Abstract]:The "ugly art" originated from life, rooted in the folk, is the challenge and innovation to the traditional "mainstream beauty", under the background of aesthetic culture that contemporary art deconstructs the traditional art. "the art of ugliness" is more attractive than "the art of beauty". "the art of ugliness" comes directly from the extraction of "ugliness" in life, so it is close to reality, more life, more truthfulness, and some "ugliness". Compared with "beauty" more credible, more lovely, more popular. The differences between Chinese and Western cultures have formed their own "ugly art". This article mainly from the literary art, drama art, film and television art. This paper analyzes and compares the "ugly art" between China and the West from the five aspects of calligraphy and painting art and sculpture art, and then probes into the identity of the Chinese and western culture of judging ugliness through the coincidence of the two. And the position and theoretical value of aesthetic appreciation of ugliness.
【作者单位】：南京艺术学院人文学院;
【分类号】：J01
【正文快照】： 在中西方浩瀚的艺术之海中,“美的艺术”向来占据主要位置。19世纪以前,人们通常将“丑”消解于“美”当中,或是刻意地抑丑扬美,“丑”一直被当作“美”的陪衬而存在,“丑的艺术”更不被认为是真正的艺术,被当作反面教材而为人们所厌弃,或者不被重视。但是随着世界文化艺术的

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