对震惊效果的迷恋——西方当代艺术的策略

发布时间：2018-01-19 14:03

本文关键词： 当代艺术艺术家艺术作品审查制度策略西方社会前卫艺术迷恋女性主义图像　出处：《美术》2012年12期 　论文类型：期刊论文

【摘要】：正当代视觉艺术与丑闻有着一种共生关系,当然这不可避免地也与一种压制的企图有关。冷战时期,世界格局被划分为东、西两个阵营。在苏联及其从属的国家里,社会主义现实主义是政府认可的唯一艺术形式。但是,事情在逐渐发生改变。1962年,赫鲁晓夫参观在莫斯科驯马场举办的艺术家联合会莫斯科分会(MOSKH,Moscow Section of the Artist's Union)成立30年纪念展,是这种松动的开始,这次展览中仅有少量官方艺术家的作品。赫鲁晓夫完全被他看到的作品激怒了,同雕塑家恩斯特·内兹维斯特尼(Ernst Neizvestny,1925年)发生了激烈争吵。解冻小心翼翼地展开,但是在1974年已经得到了极大推进,由内兹维斯特尼为赫鲁晓夫的陵墓设计了著名的墓碑。然而,就在同一年,一群持不同政见的艺术家在莫斯科伊兹迈罗夫斯基公园举办
[Abstract]:There is a symbiotic relationship between modern visual art and scandal, which inevitably has to do with an attempt to suppress. During the Cold War, the world was divided into the east. Two camps in the West. In the Soviet Union and its subordinate countries, socialist realism was the only art form recognized by the government. However, things were gradually changing. 1962. Khrushchev visited the Moscow branch of the artists' Federation at the Moscow Racecourse. The Moscow Section of the Artist's Union is the beginning of this loosening. There are only a handful of official artists in this exhibition. Khrushchev was completely enraged by what he saw, with sculptor Ernst Neizvestny. The thaw was carefully unraveled, but was greatly advanced in 1974, when Neczvistri designed the famous tombstone for Khrushchev's tomb. The same year, a group of dissident artists held the event at Izmirovsky Park in Moscow.
【作者单位】：清华大学美术学院;
【分类号】：J110.9
【正文快照】： 当代视觉艺术与丑闻有着一种共生关系，当然这不可避免地也与一种压制的企图有关。冷战时期，世界格局被划分为东、西两个阵营。在苏联及其从属的国家里，社会主义现实主义是政府认可的唯一艺术形式。但是，，事情在逐渐发生改变。1 962年，赫鲁晓夫参观在莫斯科驯马场举办的艺

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