王元化文艺思想初探

发布时间：2018-02-28 00:35

本文关键词： 王元化综合研究法启蒙写真实《文心雕龙》　出处：《山东师范大学》2006年硕士论文　论文类型：学位论文

【摘要】：王元化是我国当代著名的文艺理论家,周扬曾评价他是国内少数真正懂得马克思主义的理论家之一。他身上凝聚着我国现当代文艺理论发展的曲折历程。研究他,有助于深入了解现当代文艺学发展的成绩和局限,建设具有中国特色的马克思主义文艺学。本文拟从文艺学发展的历史层面入手,探寻王元化文艺思想形成和发展的心路历程,勾勒其文艺思想的基本轮廓,力图在历史的勾勒和系统的梳理中给王元化文艺思想以恰当的历史定位。全文共分为四个部分。前言,简要介绍问题的提出、研究的意义和研究的现状等相关背景。第一部分概述王元化文艺思想形成和发展的心路历程。大致分为三个阶段:一,以救亡为己任的革命文艺战士和激情昂扬的“精神英雄”(1937—1955年):主要介绍王元化早期的文艺创作和文艺观念;二,沉潜追求的“学问家”(1955—1980年):主要介绍王元化被打成“胡风分子”后到平反之前的文艺探索活动及取得的成就;三,当代著名的文艺理论家(1980—):主要探讨新时期以来王元化文艺思想发展的状况。第二部分主要论述王元化文艺思想的内容和理论贡献。王元化的理论探索是多方面的。概而言之,王元化文艺思想的理论贡献主要体现在以下四个方面: 一、方法论的革新。他首先从哲学认识论的高度清理和批判“知性”,在完善人类认识过程的同时,发现知性分析方法的危害。接着他由对“知性”的清理切入艺术认识论领域,对黑格尔“知性不能掌握美”的命题和“情况—情境—情节”的“美的三原则”给予合理地阐说,并积极发掘“抓本质”、“三突出”等错误文艺观的理论来源。其次,在理论研究的方法上,他积极创新,提倡“综合研究法”,并将其成功地运用在具体的文艺批评实践中,为中国古代文论的现代性转化和中西比较诗学的研究提供了有益的借鉴。二、《文心雕龙》研究的理论贡献。王元化关于《文心雕龙》的研究不拘旧说,始终坚持独立的思索,取得了一系列的新突破。主要体现在:提出“古今结合”、“中外结合”、“文史哲结合”的“综合研究法”,扩大了“龙学”研究的视阈;通过选取《文心雕龙》创作论的八对审美范畴,探讨那些中外相通,具有最根本、最普遍意义的文学艺术规律和艺术方法,在知性形而上学盛行的年代里,他对文学规律的探讨突破了当时的
[Abstract]:Wang Yuanhua is a famous contemporary literary and art theorist in China. Zhou Yang once appraised him as one of the few theorists who really understood Marxism. He condensed in the tortuous course of the development of modern and contemporary literary theory in China. It is helpful to understand the achievements and limitations of the development of modern and contemporary literature and art, and to build Marxist literature and art with Chinese characteristics. This paper intends to explore the formation and development of Wang Yuanhua's literary and art thoughts from the historical level of literary and art development. This paper outlines the basic outline of his literary and artistic thought and tries to give Wang Yuanhua's literary and artistic thought a proper historical orientation in the historical outline and systematic combing. The full text is divided into four parts. The introduction briefly introduces the questions raised, the significance of the research and the current situation of the research, and so on. The first part is an overview of the formation and development of Wang Yuanhua's literary and artistic thoughts. Revolutionary Literary and artistic Warriors and passionate "spiritual Heroes", who are responsible for saving the nation from 1937 to 1955: mainly introduces Wang Yuanhua's early literary and artistic creation and ideas; second, Shen Qian's pursuit of "Scholarist" from 1955-1980: mainly introduces Wang Yuanhua's literary and artistic exploration activities and achievements made before he was beaten as a "Hu Feng molecule" before he was rehabilitated; third, A famous contemporary literary theorist, he mainly discusses the development of Wang Yuanhua's literary and artistic thoughts since the new period. The second part mainly discusses the content and theoretical contribution of Wang Yuanhua's literary and artistic thought. The theoretical exploration of Wang Yuanhua's theory is in many aspects. Generally speaking, the theoretical contribution of Wang Yuanhua's literary and artistic thought is mainly embodied in the following four aspects:. First, the innovation of methodology. First, he clears and criticizes "understanding" from the height of philosophical epistemology, and at the same time, while perfecting the process of human cognition, he finds the harm of cognitive analysis method. Then he cuts into the field of art epistemology from the clean-up of "understanding" to the field of art epistemology. The thesis gives a reasonable explanation to Hegel's proposition that "understanding cannot grasp beauty" and "three principles of beauty" of "situation-situation-plot", and actively explores the theoretical sources of erroneous literary and artistic views such as "grasping essence" and "three outstanding". In the method of theoretical research, he innovates actively, advocates "comprehensive research method", and successfully applies it to the practice of specific literary criticism, which provides a useful reference for the modern transformation of ancient Chinese literary theory and the study of Chinese and Western comparative poetics. Second, the theoretical contribution of the study of "Wen Xin Diao long". Wang Yuanhua's research on "Wen Xin Diao long" regardless of the old theory, always insists on independent thinking. A series of new breakthroughs have been made, which are mainly reflected in: putting forward "combination of ancient and modern", "combination of Chinese and foreign countries", "comprehensive research method" of "combination of culture, history and philosophy", which expands the horizon of the study of "dragon study"; By selecting eight pairs of aesthetic categories of the creation theory of "Wen Xin Diao long", this paper discusses the laws and methods of literature and art, which are of the most fundamental and universal significance, which are interlinked with each other in China and abroad. In the age of intellectual metaphysics, His discussion of the laws of literature broke through
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：I01

【引证文献】