国际艺术展览模式

发布时间：2018-02-28 05:06

本文关键词： 双年展策展人主题艺术展览　出处：《中国艺术研究院》2006年硕士论文　论文类型：学位论文

【摘要】：国际艺术展览在中国近十年的时间里渐渐流行起来,在西方却已有百余年的历史。中国的国际艺术展览还处于刚刚起步阶段,因此,需要不断吸取外国国际艺术展览的有益经验,同时结合本国的实际情况,探索与建立一个适应中国艺术体制的国际艺术展览模式。这需要对国外著名国际艺术展览的模式进行研究、归纳、总结,以供我们参考。本文以国际三大著名艺术展览威尼斯双年展、卡塞尔文献展、圣保罗双年展和其他较为知名的艺术展览为主要研究对象,探索它们的历史起源,归纳它们发展的不同阶段,并总结出每个阶段的特点来说明其展览模式。正文一共分为三部分:第一部分为发达国家国际艺术展览模式。在这部分中以威尼斯双年展和卡塞尔文献展为重点,同时对悉尼双年展作简要介绍;第二部分为发展中国家国际艺术展览模式,以圣保罗双年展为重点,同时对光州双年展和达卡亚洲艺术双年展作简要介绍;第三部分为结论,指出发达国家是国际艺术展览的首创者,因此其模式是发展中国家国际艺术展览模式的参照系,但同是发展中国家国际艺术展览的模式也影响前者。中国的国际艺术展览(北京双年展)仅举办了两届,虽然有一些特点,但还不具备完善的展览模式,还需要借鉴发达国家和发展中国家的国际艺术展览模式,并结合中国国情,开创一个既符合中国国情,又能促进其发展的展览模式。
[Abstract]:International art exhibitions have gradually become popular in China for nearly ten years, but they have been in the West for more than 100 years. China's international art exhibitions are still in their infancy, so, The need to continuously draw on the useful experience of foreign international art exhibitions, taking into account the realities of their countries, To explore and establish an international art exhibition model adapted to Chinese art system, it is necessary to study, summarize and summarize the models of famous international art exhibitions abroad for our reference. In this paper, three famous international art exhibitions, Venice Biennale, Cassell Biennale, Sao Paulo Biennale and other well-known art exhibitions, are taken as the main research objects to explore their historical origins and summarize the different stages of their development. The main body is divided into three parts: the first part is the international art exhibition model of developed countries. In this part, Venice Biennale and Cassell Literature Exhibition are the key points. At the same time, the Sydney Biennale is briefly introduced; the second part is the international art exhibition model of developing countries, focusing on the Sao Paulo Biennale, and a brief introduction to the Guangzhou Biennale and the Dhaka Biennale of Asian Art; the third part is the conclusion. Pointing out that developed countries are the first creators of international art exhibitions, and therefore their models are the reference frame for international art exhibitions in developing countries, However, the pattern of international art exhibitions in the same developing countries also affects the former. China's International Art Exhibition (Beijing Biennale) only held two sessions. Although it has some characteristics, it still does not have a perfect exhibition model. It is also necessary to draw lessons from the international art exhibition models of both developed and developing countries, and to create an exhibition model which can not only meet the national conditions of China, but also promote its development, in combination with the national conditions of China.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J114

【引证文献】