“非个人化”创作理论研究

发布时间：2018-04-24 09:47

本文选题：非个人化 + 代神立言　；参考：《兰州大学》2007年硕士论文

【摘要】： 文学创作是一个十分复杂的过程，其间各种因素交错纵横。文论界在关注作家主观因素在创作中的核心作用时，文论家中的先知先觉者也看到了这种观点的偏颇，转而发现了“非个人化”创作的一些契机。本文从“非个人化”创作理论与实践入手，辨析了作家在创作中表现个性特征与放弃自己的个性并不矛盾，他放弃个性，是为了表现他的类属性，以此来表明应站在宏阔的视野下统观文学创作。本文共分四部分：“非个人化”理论的界说、代神立言、代言立言、社会学视阈下的文学生产。艾略特在《传统与个人才能》中，明确提出诗歌是伟大传统的组成部分，不隶属于个人。作家的创作是不断放弃个性的一种“非个人化”创作。结构主义和解构主义继承并发展了这一理论。本文将“非个人化”理论的含义归纳为三点： (1)社会生产力低下，人们认识能力有限，便将创作看作是神力操纵的结果。 (2)语言学研究的成果，拓展了文学创作研究的视阈，语言左右着文学创作。 (3)社会学认为人是社会关系的总和，作家的个性消失了，社会性突出了。作家是神的代言者，他凭借灵感的威力创作，他依靠上帝的灵光创作，他是集体无意识的代言人，他是原型和神话的传承者。作家的个性在创作中被淡化了。作家是语言的代言者，文学中发言的是语言，作家处于沉默之中，在这里只有语言在起作用。作为文学内部的语言成了文学研究的重心。语言的多种阐释性，使文本有了多种阐释意义，语言结构模式的变化，构造了多个作者。解构主义的消解策略，使作者无藏身之地，整个创作中只有语言的踪迹。作家在马克思主义的文学生产理论中是生产者，在整个社会环境下，作家已消融在社会的运作之中，“非个人化”成为了解释作家创作的最佳词汇。 “非个人化”创作理论解释作家创作有其合理成分，，也有其不足之处。文学创作是多元复合因素构成的，任何偏其一端的观点都是不可取的。
[Abstract]:Literary creation is a very complicated process in which various factors are interlaced. In the context of the core role of the writer's subjective factors in the creation, the scholars in the literary theorists also see the bias of this view, and find some opportunities for the creation of "non individualization". Starting with practice, the author distinguishes the writer's personality characteristics and abandonment of his own personality. He gives up his personality to show his class attributes, so as to show that he should stand in the broad view of literary creation. This article is divided into four parts: the theory of "non individualization", the word of God, the endorsement, the sociology. Literary production under the threshold of the threshold.
In the "tradition and personal talent", Eliot made it clear that poetry is a part of the great tradition and does not belong to the individual. The writer's creation is a "non individualized" creation to give up individuality constantly. The theory of structuralism and deconstruction is inherited and developed. This article sums up the meaning of the "non individualization" theory into three points.
(1) social productivity is low and people's cognitive ability is limited, so creation is regarded as the result of divine manipulation.
(2) the achievements of linguistic research have expanded the research scope of literary creation, and language has influenced literary creation.
(3) Sociology considers that human beings are the sum total of social relations, and the individuality of the writer has disappeared and the society is outstanding.
The writer is the proverb of God. He is created by the power of inspiration. He relies on the spiritual creation of God. He is the spokesman of the collective unconscious. He is the inheritor of the archetype and mythology. The writer's personality is desalinated in his creation.
The writer is the speaker of language, the language is spoken in literature, and the writer is in silence. Here only language plays a role. As the language of literature, language has become the center of gravity of literature research. To solve the strategy, the author has no hiding place, and only traces of language are found in the whole creation.
The writer is a producer in the literary production theory of Marx's doctrine. In the whole social environment, the writer has been ablated in the operation of the society. "Non individualization" has become the best vocabulary to understand the creation of a writer.
The theory of "non individualization" explains the writer's creative composition and its shortcomings. The literary creation is composed of multiple factors, and any point of view is not advisable.

【学位授予单位】：兰州大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：I052

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