本雅明“灵韵”概念的辩证意蕴

发布时间：2018-04-24 19:16

本文选题：瓦尔特·本雅明 + 灵韵　；参考：《理论月刊》2013年12期

【摘要】：灵韵作为传统艺术的生命之魂,它使艺术品具有独一无二的本真性和不可接近的神圣性。本雅明遵循着历史唯物主义的原则,一方面从人与自然对象的关系和灵韵的历史起源两个层面上,阐释了灵韵表征着传统社会人与人、人与自然之间平等交流、和谐共生的生存状态,反衬与抨击着现代资本主义社会的异化现状;另一方面结合人类当下的现实生存境遇和20世纪初期欧洲紧张的政治局势,揭示了灵韵的距离感之贵族品格被资本主义商品拜物教和法西斯主义所借用,变异为一种凝结着商品拜物教的异化意识和美化法西斯主义暴力统治的政治工具。通过深入探讨"灵韵"概念的辩证意蕴,本雅明旨在展示人类原初世界和谐统一的生存状态,揭露现代资本主义社会的和谐假象,促使人们认清资本主义社会的异化现实,激发他们变革现实的革命斗志,重建人类社会和谐统一的本原状态。
[Abstract]:As the soul of the life of traditional art, Lingyun makes the art of art unique and unapproachable. Walter Benjamin follows the principle of historical materialism. On the one hand, it illustrates the representation of people and people, human and nature in the traditional society from two aspects of the relationship between human and natural objects and the historical origin of the spirit. On the other hand, according to the present situation of human existence and the tense political situation of Europe in the early twentieth Century, the noble character of the sense of distance is borrowed by the capitalist commodity fetishism and fascism, on the other hand. It is a political tool that condenses the alienation consciousness of commodity fetishism and beautifies the domination of fascist violence. Through in-depth discussion of the Dialectical Implication of the concept of "Lingyun", Walter Benjamin aims to show the living state of the harmonious and unified world in the original world, expose the harmonious false image of modern capitalist society, and promote the recognition of capitalism. The alienated reality of the society stimulates their revolutionary spirit of changing reality and reconstructs the original state of the harmony and unity of human society.

【作者单位】：武汉大学哲学学院;
【分类号】：J01

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