从纯文学到大文学

发布时间：2018-05-24 23:01

本文选题：文学 + 纯文学　；参考：《晋阳学刊》2012年01期

【摘要】：艺术和文学分别借用不同的情感符号体系,来展示人类在不同世代的情感本真存在,当代大众文化语境之下文学形态发生了变化,但是文学依然新鲜活泼地存在着。纯文学作为一种历史性的文化现象在当代逐渐被颠覆和消解,并不能说明文学行将消亡。从纯文学到大文学正是人类学意义上文学精神的自我回归,中国未来的大文学必然会在民族集体记忆的基础上接受外来文化以及不同世代生活经验的刺激,发生微妙的变化。但无论怎么变化、演绎,也无论它是出自精英文学作家之手,还是出自草根民众之手,只要它自由地、自然地、本能地、本真地敞开了斯时斯地的情感(性情),那么,它都是既有中国品位又有时代气象,且与其他民族文学相互情意沟通无碍的中国大文学——多元共存的人类大文学生命实体中必要的生命元素之一。
[Abstract]:Art and literature respectively borrow different emotional symbol systems to show that human beings have the true existence of emotion in different generations. The literary form has changed under the context of contemporary popular culture, but literature still exists fresh and lively. As a historical cultural phenomenon, pure literature is gradually subverted and dispelled in contemporary times, which does not explain the extinction of literature. From pure literature to great literature is the return of literary spirit in the sense of anthropology. The great literature of China in the future will inevitably accept the stimulation of foreign culture and the life experience of different generations on the basis of national collective memory and produce subtle changes. But no matter how it changes, how deductive it is, whether it comes from the hands of elite literary writers or grassroots people, as long as it is freely, naturally, instinctively, and instinctively, it truly opens up the emotions (temperament, etc.) It is one of the essential life elements of Chinese great literature, which has both Chinese taste and epochal atmosphere, and has no hindrance in communicating with other national literature.
【作者单位】：深圳大学文学院;
【分类号】：I0

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