读图时代写生意义再认识

发布时间：2018-05-24 23:09

本文选题：读图时代 + 写生　；参考：《华中师范大学》2008年硕士论文

【摘要】： 读图时代是这个时代的视觉特征。在读图时代,我们用照相机、电影、电视和电脑等等制造了大量的图像,反过来又依赖于图像,没有精力,也愈加没有能力去寻找图像背后的真实。图像的便利和普及前所未有,渗透到当代社会的每个角落,以至于当代的艺术创作严重依赖于照片或图像。由此,照片或图像改变了当代艺术创作的方式,同时也就改变了写生以往在艺术创作中的基础性地位。艺术家可以不需要经过写生,直接使用照片或图像就可以进行艺术创作。但是当前艺术创作中对照片或图像的过于依赖带来艺术创作的表面化、浅层化、陈陈相因、枯竭和僵化。照片或图像毕竟属于第二自然,它是对现实世界的自然物象的模拟,不可避免地与自然物象有隔膜。过多的依赖照片或图像使我们离真正的最初的自然越来越远。在网络和数字图像极度泛滥的今天,只有重新回到最初的自然,重新拿起写生的武器,艺术创作才会再次恢复生机与活力。在传统意义上,写生是艺术的来源,是艺术创作的基础,因为自古以来,大量的艺术家(如德加)、艺术流派(如印象派)、艺术语言(如皴法)……都因写生而兴起、而推陈出新,大量的艺术风格因地域环境的不同而不同,大量的艺术形式也都蕴涵在自然物象之中。进入读图时代,写生的意义与时俱进地发生了些许的变化。在直接利用照片或图像进行艺术创作时,写生的语言能加强作品的现场感与真实感,如刘小东;甚至写生不仅是艺术创作的基础,它还可以从观念上直接成为创作本身,如路西恩.弗洛依德。但在艺术创作形式多样化的今天,写生也仅仅是艺术创作形式之一种。在读图时代,合理利用照片或图像与坚持写生相结合进行艺术创作,可以互为补充。认识这一点,可以使我们在创造多样化的艺术创作形式的同时,不至于离最初的自然越来越远,永远保持生机与活力。
[Abstract]:The age of reading pictures is the visual feature of this era. In the age of image reading, we used cameras, movies, television and computers to create a lot of images, which in turn depended on images, lacked energy, and were increasingly incapable of finding the truth behind the images. The convenience and popularity of images are unprecedented and permeate into every corner of contemporary society, so that contemporary art creation depends heavily on photographs or images. As a result, photographs or images change the way of contemporary art creation, but also change the basic position of sketching in art creation. Artists can create art without the need for sketches and direct use of photographs or images. However, the over-reliance on photos or images in current art creation leads to the superficial, shallow, Chen Xiangyin, exhaustion and ossification of artistic creation. After all, photographs or images belong to the second nature, it is the simulation of the natural images of the real world, and inevitably there is a separation from the natural images. Too much reliance on photos or images keeps us farther and farther from the true nature of the first. Today, when the network and digital images are extremely rampant, only when we return to the original nature and pick up the weapon of sketching can artistic creation regain its vitality and vitality again. In the traditional sense, sketching is the source of art and the basis of artistic creation, because since ancient times, a large number of artists (such as Dejia, artistic schools, such as Impressionists), artistic language (such as chapped method). Because of the rise of sketching, a large number of artistic styles vary according to the regional environment, and a large number of art forms are also contained in the natural objects. In the age of reading pictures, the significance of sketching has changed a little with the times. In the direct use of photographs or images for artistic creation, the language of sketching can strengthen the scene and realism of the works, such as Liu Xiaodong; even sketching is not only the basis of artistic creation, it can also directly become the creation itself from the perspective. Such as Lucian. Freud. But in today's diversified artistic creation form, sketching is only one form of artistic creation. In the age of reading pictures, the reasonable use of photographs or images and the persistence of sketch for artistic creation, can complement each other. Understanding this can make us create diversified artistic creation forms at the same time, not from the original nature more and more distant, always maintain vitality and vitality.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J04

【引证文献】