权充（冲）艺术的本土化演绎

发布时间：2018-05-25 07:44

本文选题：权冲艺术 + 本土　；参考：《福建师范大学》2014年硕士论文

【摘要】：自当代艺术发展至今,权冲艺术作为当代艺术的一个过渡性艺术种类也被定义和广泛应用着。就目前的研究现状,它在2012年出版的《未来艺术档案》中被策展人张海涛所正式定义,并由他策划在国内有过2次的权冲艺术展和多次学术讨论。但是以本土时代背景和艺术家的人文发展为演变思路去分析这种艺术现象的还鲜为少见。而本文正是以权冲艺术的本土化演变,就它的艺术形式和多重衍化进行梳理和整合,意义在于以当代语言发声的权冲艺术,它的存在所折射出的社会文化和人文感受。本文以史料研究法、网络搜索法、系统分析法等对其进行了层层研究。另外,它虽有亮点但并不是我们艺术发展的主流,终归我们还是要在认识中反思与前进。
[Abstract]:Since the development of contemporary art, Quan Chong art, as a transitional art category, has also been defined and widely used. According to the current research situation, it was formally defined by curator Zhang Haitao in the future art archives published in 2012, and he has planned two Qunchong art exhibitions and many academic discussions in China. However, it is rare to analyze this kind of artistic phenomenon with the background of local times and the humanistic development of artists. And this article is the localization evolution of Quan Chong art, combing and integrating its art form and multiple derivation, the significance lies in Quan Chong art, which is produced by contemporary language, and its existence reflects the social culture and humanistic feeling. In this paper, the historical data research method, the network search method, the system analysis method and so on has carried on the layer by layer research to it. In addition, although it has a bright spot, it is not the mainstream of our art development.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J05

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