冯至与里尔克:存在主义视域中的重释

发布时间：2018-05-26 16:39

本文选题：冯至 + 里尔克　；参考：《湘潭大学学报(哲学社会科学版)》2012年02期

【摘要】：冯至与里尔克的关系一直为学界所关注,如果从存在主义视域来考量会获得新的思路和启示。首先,里尔克试图在"存在"的世界通过"事物诗"的创造,赋予艺术永恒的品质;而冯至的《十四行集》中"事物"不仅作为艺术创造的起点,更被视为可以通过语言的命名而具有向人显示存在意义的能力。其次,《十四行集》与里尔克诗歌的对应性关系还体现在对诗歌表现方式、诗歌功能的共识上。更应看到,存在主义哲思固然让冯至脱离了浅层的诗意缠绕而走向了生命存在的深度,而传统的审美文化也使《十四行集》摆脱里尔克诗歌的玄奥与抽象,为冯至的存在主义的诗歌理念提供了本土化的可能性。
[Abstract]:The relationship between Feng Zhi and Rilke has always been paid attention to by scholars. If we consider it from the perspective of existentialism, we will get new ideas and revelations. First of all, Rilke tries to endow art with eternal quality through the creation of "thing poetry" in the world of being, while "thing" not only serves as the starting point of artistic creation in Feng Zhi's Collection of 14 lines. It is also seen as having the ability to show meaning to people through language naming. Secondly, the correspondence between the Collection of the Fourteen lines and Rilke's poetry is also reflected in the common understanding of the style and function of poetry. It should also be noted that existentialist philosophies of course let Feng Zhi break away from the superficial poetic entanglement and move to the depth of existence of life, and the traditional aesthetic culture also made the Collection of the Fourteen lines get rid of the mystery and abstraction of Rilke's poetry. It provides the possibility of localization for Feng Zhi's existentialism.
【作者单位】：湖南科技大学人文学院;湖南师范大学文学院;
【基金】：湖南省哲学社会科学评审委员会重点课题“20世纪中国存在主义文学史论”(批准号:10112462) 湖南省教育厅科学研究项目重点课题“20世纪中国存在主义文学史略”(批准号:10A084),湖南省教育厅社科重点研究基地:“中国文学与社会文化研究基地”(湘教通[2004]284号)成果之一
【分类号】：I0-03;I106.2

【共引文献】