论艺术家风格的本质成因与个性化语言体系的创造

发布时间：2018-10-13 11:49

【摘要】： 20世纪以来,尤其是近现代与当今的国内外艺术领域中,对艺术家的个性化创造,个人艺术风格的独创性的要求越来越重视。对于艺术创造者而言,能否形成具有唯一性和独创性的艺术风格已是证明其存在价值与成就的重要准则。艺术风格问题,不仅是当今艺术家本人所面临的严峻课题,而且无论是在哲学和美学领域中同样是一个极其重要的尖端复杂的课题。尽管对艺术风格奥秘的理论探索贯穿了人类思想史的整个过程,从中国春秋战国、汉代、古希腊、罗马开始,文艺理论家、美学家、哲学家们都涉及过它,但多半是从修辞学或语言运用的角度有过零星的论断。像南朝,梁,刘勰的《文心雕论》有过对风格即人之礼法风貌的阐述及对修辞所提出的“风骨”等,亚里士多德关于文风的四种形式,优良的风格的基础是语言的准确性《修辞学》,贺拉斯关于语言“合式”的运用“诗艺”,郎吉驽斯关于崇高文风的根源是伟大的心灵,崇高风格的五个因素《论崇高》,布封的“风格即是人本身”《论风格》,歌德的《自然的单纯模仿、作风、风格》等等,虽然从康德、莱辛、维柯、席勒到黑格尔和马克思,从欧阳修、苏轼、石涛到梁启起、王国维都曾对风格问题有过一些精辟的论断,但从未有对风格问题进行系统化的阐示和论述。很少有从艺术风格的本质成因和艺术整体的美学高度来系统完整论述风格的问题。直至近代,瑞士的著名美学家,西方艺术科学的创始人之一海因里希·沃尔夫林的《艺术风格学》才将风格问题纳入正式研究,把文化史,心理学和形式分析融为一体,但他并没有对风格问题做系统化的方法论的陈述,只是通过形式分析方法的实际应用来理解美术史及其风格问题做出比较宏观的分析。也就是说他能够以比较科学视角、透视美术史、绘画、雕塑、建筑等和整体风格流派的产生与形式特点。然而并没有做出价值判断,只是为了美术史能够更清晰的断代和较为客观而科学的对风格的分类。因而他很少深入到艺术家个人风格形成的本质起因分析与阐释,但纵观艺术史不同时期的伟大里程碑,毕竟是由作为具有独创性的主体,具有不同个性的艺术家所创造和构成的。因此,本文着重从艺术创造主体、艺术风格本质的内在成因和规律进行透析、同时以方法论揭示艺术家个性化语言体系创造所遵循的基本规律和原则。
[Abstract]:Since the 20th century, especially in the modern and contemporary art fields, more and more attention has been paid to the individual creation of artists and the originality of individual artistic style. For art creators, it is an important criterion to prove its existence value and achievement to form unique and original artistic style. The problem of artistic style is not only a serious problem faced by artists today, but also an extremely important and sophisticated subject in the field of philosophy and aesthetics. Although the theoretical exploration of the mystery of artistic style runs through the whole process of the history of human thought, from the Spring and Autumn period of China, the Han Dynasty, ancient Greece and Rome, literary theorists, aestheticians, philosophers have been involved in it. But mostly from the perspective of rhetoric or language use, there have been sporadic judgments. Such as the Southern Dynasty, Liang, Liu Xie's "Wen Xin Diao", there have been to style, namely, the style of human etiquette and features, and to the rhetoric of the "Feng Gu", Aristotle's four forms of literary style, The basis of good style is the accuracy of language "rhetoric", Horace's use of the "style" of language "poetry", the root of Langgius' noble style is the great heart, The five elements of noble style, "on sublime", Bufeng's "style is man", Goethe's "simple imitation of nature, style, style", and so on, although from Kant, Lessing, Vico, Schiller to Hegel and Marx, From Ouyang Xiu, Su Shi, Shi Tao to Liang Qizhi, Wang Guowei has had some incisive judgments on style, but has never systematically expounded style. There is seldom a systematic and complete discussion of style from the essence of artistic style and the aesthetic height of art as a whole. It was not until modern times that Heinrich Wolflin, a famous Swiss aesthetician and one of the founders of western art science, brought the issue of style into the formal study and integrated cultural history, psychology and formal analysis. However, he did not make a systematic presentation of the style problem, but made a macro analysis of the art history and its style through the practical application of the formal analysis method to the understanding of the art history and its style. That is to say, he can see through the appearance and form of art history, painting, sculpture, architecture and the whole style from the perspective of comparative science. However, there is no value judgment, only for the history of art to be more clear and more objective and scientific classification of style. Therefore, he seldom goes deep into the analysis and interpretation of the essential causes of the formation of the artist's personal style. But throughout the great milestones in different periods of art history, after all, he is regarded as the main body with originality. Created and constructed by artists with different personalities. Therefore, this paper focuses on the analysis of the internal causes and rules of the subject of artistic creation and the essence of artistic style, and at the same time reveals the basic laws and principles followed by the creation of the artist's individualized language system by methodology.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J04

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