消费时代的“审美救世”与艺术人格
发布时间：2018-10-19 13:37
【摘要】：如果说中世纪的西方曾达到了神性至上的极端，那么，20世纪的西方现代文明则滑向了物欲泛滥的另一极。“上帝死了!”人从天使变成了恶魔。一个没有“上帝”的世界，是人为所欲为的世界；一个失去了理性制约的时代，是非理性泛滥的时代。这个时代充满了恐惧、焦虑、痛苦乃至绝望的情绪，人的主体性、人的心灵逐渐被“物”挤占，并且被自己创造的文明异化了。 在新的多元文化空间中，精英艺术已蜕变成了一个消费种类，传统的具有丰富人文艺术修养的社会阶层不复存在，这不能不说是一个悲剧。既然黄金时代已一去不返，精英艺术与其徒劳的重返梦中的伊甸园，还不如立足现实，在消费时代积极争取自己的合理存在，正所谓“天助自助者”。而自我人格的独立正是精英们介入社会和人生的一个有力支点和起点，艺术精英一旦丧失其精神的独立性和深度，丧失了艺术人格，那么他就丧失了作为艺术家最根本的东西，而他也不再是艺术家了，他不过是商业机器奴役的消费品生产者。那么艺术的生产化，精神的表面化、庸俗化也将是不可避免的。 因此，完善的艺术人格应该是我们进行艺术判断的标准。用审美的纯洁性来捍卫精神家园的高贵，并以积极的心态介入世俗社会，拯救艺术的堕落，换句话说就是个人修养和社会道德的完美结合，，这是现代社会的“审美救世”。
[Abstract]:If the West in the Middle Ages had reached the extreme of divinity, modern Western civilization in the 20 th century had slid to the other pole of overflowing materialism. "God is dead!" Man has changed from an angel to a demon. A world without "God" is a world in which people do whatever they want; an era without rational constraints is an era of irrational flooding. This era is full of fear, anxiety, pain and even despair. In the new multi-cultural space, the elite art has become a kind of consumption, and the traditional social stratum with rich humanities and art culture no longer exists, which cannot be said to be a tragedy. Since the golden age has gone, the elite art and its futile return to the dream of the Garden of Eden, should be based on reality, actively strive for their reasonable existence in the consumption era, is the so-called "Heaven helps the self-help." And the independence of self-personality is a powerful fulcrum and starting point for the elite to intervene in society and life. Once the artistic elite loses its spiritual independence and depth and loses its artistic personality, then he loses the most fundamental thing as an artist. And he is no longer an artist, he is a business machine enslaved consumer goods producers. Then the production of art, the spirit of the surface, vulgarization will be inevitable. Therefore, the perfect artistic personality should be our art judgment standard. To defend the nobility of spiritual homeland with aesthetic purity, and to intervene in secular society with a positive attitude, to save the depravity of art, in other words, the perfect combination of personal cultivation and social morality, which is the "aesthetic salvation" of modern society.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J01
本文编号：2281287
[Abstract]:If the West in the Middle Ages had reached the extreme of divinity, modern Western civilization in the 20 th century had slid to the other pole of overflowing materialism. "God is dead!" Man has changed from an angel to a demon. A world without "God" is a world in which people do whatever they want; an era without rational constraints is an era of irrational flooding. This era is full of fear, anxiety, pain and even despair. In the new multi-cultural space, the elite art has become a kind of consumption, and the traditional social stratum with rich humanities and art culture no longer exists, which cannot be said to be a tragedy. Since the golden age has gone, the elite art and its futile return to the dream of the Garden of Eden, should be based on reality, actively strive for their reasonable existence in the consumption era, is the so-called "Heaven helps the self-help." And the independence of self-personality is a powerful fulcrum and starting point for the elite to intervene in society and life. Once the artistic elite loses its spiritual independence and depth and loses its artistic personality, then he loses the most fundamental thing as an artist. And he is no longer an artist, he is a business machine enslaved consumer goods producers. Then the production of art, the spirit of the surface, vulgarization will be inevitable. Therefore, the perfect artistic personality should be our art judgment standard. To defend the nobility of spiritual homeland with aesthetic purity, and to intervene in secular society with a positive attitude, to save the depravity of art, in other words, the perfect combination of personal cultivation and social morality, which is the "aesthetic salvation" of modern society.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J01
【引证文献】
相关硕士学位论文 前1条
1 李亚男;先秦神鬼艺术中的苦难美学[D];湖南师范大学;2011年
本文编号：2281287
本文链接：https://www.wllwen.com/wenyilunwen/wenxuell/2281287.html
