黄土地中蕴藏的艺术语言
发布时间：2018-12-14 13:01
【摘要】： 西北黄土高原(主要指陕西境内)以及延伸到关中地区这一区域的民间艺术,体现了中国北方民间艺术的主要特征。本文试图通过对这一区域几种有代表性的民间艺术形式的脉络介绍、成因分析,揭示出艺术语言形式与地域性人文环境的内在联接。并希望能从民间艺术中发现具有当代性的艺术语汇。我们在分析当代性的艺术语言必须同具体作者身处的环境联系起来,这样才能从本源上理解其寓意。反过来也可以这样说,当代每种文化现象的发生发展必然同其对所处区域人文环境的学习借鉴分不开的。如何提取民间艺术中蕴藏的视觉语言是对我们如何认识传统、看待传统的考验。现代文明的多元性、多学科的互相交融,边缘学科的方兴未艾给我们提供了更广阔的想象空间,转换一下视角可能就是一种新的发现。不同的语言形式会以不一样的材料呈现不同的语境,对材料的认识、挖掘就是对艺术语言的拓展,民间艺术中有着丰富的材料运用。我们每个个体都脱离不了地域文化的辐射,如何把这种辐射转化利用,让它在我们的体内积聚再折射出来,应该是我们当前思考的课题。
[Abstract]:The Northwest Loess Plateau (mainly refers to Shaanxi Province) and the folk art extending to the Guanzhong region embody the main characteristics of the folk art in the north of China. This paper attempts to reveal the internal connection between the art language form and the regional humanistic environment through the introduction of several representative folk art forms in this area and the analysis of the causes. And hope to find contemporary artistic vocabulary from folk art. In analyzing the contemporary artistic language, we must relate it to the environment in which the author is in, so as to understand its meaning from the source. On the other hand, it can be said that the occurrence and development of each cultural phenomenon is bound to be inseparable from the study of the humanistic environment in the region. How to extract the visual language from folk art is the test of how to understand and treat the tradition. The diversity of modern civilization, the intermingling of multi-disciplines and the rising of borderline provide us with a broader space of imagination. A change of perspective may be a new discovery. Different language forms will present different contexts with different materials. The understanding of materials, mining is the development of artistic language, folk art has a rich use of materials. Each of us can't get away from the radiation of regional culture. How to transform this radiation into use and let it accumulate and refraction in our body should be the subject of our current thinking.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J120.9
[Abstract]:The Northwest Loess Plateau (mainly refers to Shaanxi Province) and the folk art extending to the Guanzhong region embody the main characteristics of the folk art in the north of China. This paper attempts to reveal the internal connection between the art language form and the regional humanistic environment through the introduction of several representative folk art forms in this area and the analysis of the causes. And hope to find contemporary artistic vocabulary from folk art. In analyzing the contemporary artistic language, we must relate it to the environment in which the author is in, so as to understand its meaning from the source. On the other hand, it can be said that the occurrence and development of each cultural phenomenon is bound to be inseparable from the study of the humanistic environment in the region. How to extract the visual language from folk art is the test of how to understand and treat the tradition. The diversity of modern civilization, the intermingling of multi-disciplines and the rising of borderline provide us with a broader space of imagination. A change of perspective may be a new discovery. Different language forms will present different contexts with different materials. The understanding of materials, mining is the development of artistic language, folk art has a rich use of materials. Each of us can't get away from the radiation of regional culture. How to transform this radiation into use and let it accumulate and refraction in our body should be the subject of our current thinking.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J120.9
【相似文献】
相关期刊论文 前10条
1 ;中W ·，
本文编号：2378654
本文链接：https://www.wllwen.com/wenyilunwen/wenxuell/2378654.html
