从言意之辩看中国传统诗画艺术对自身媒介的超越

发布时间：2018-12-20 21:55

【摘要】： 中国传统诗画关系研究是一个古老而常新的问题。本文对中国传统诗画关系发展演变的概况进行历时性梳理，并在对言意之辩的哲学命题进行考察分析的基础之上，从言意之辩的角度切入对中国传统诗画关系的考察，探讨言意思想与中国诗画艺术融合之间的内在关系，，深入挖掘言意思想对中国诗画艺术超越自身媒介限制而达至“出位之思”的深层推助。本文认为此种推助主要体现在宏观和微观两个方面。从宏观角度而言，言意之辩所具有的超越性质，向外的方面，为中国诗画艺术发现了自然山水；向内的方面，奠定了中国诗画“缘情”、“写意”的审美追求；而言意之辩所具有的不离现实人生又超越现实人生的特点，在一定程度上开拓了中国艺术家的主体精神境界，为艺术家们建构了一种艺术化人生。从微观角度而言，言意之辩所提出的解决言意矛盾的“立象”和“忘言”的两条途径，影响了诗画的时空建构方式和内在运思方式，并在一定程度上为诗画融合奠定了通感的心理基础。
[Abstract]:The study of the relationship between Chinese traditional poetry and painting is an old and often new issue. This paper makes a diachronic review of the development and evolution of the relationship between Chinese traditional poetry and painting, and on the basis of investigating and analyzing the philosophical proposition of the debate of speech and meaning, from the angle of the argument of speech and meaning, it explores the relationship between Chinese traditional poetry and painting. This paper probes into the internal relationship between the thought of speech and meaning and the fusion of Chinese poetry and painting art, and deeply excavates the deep push of the thought of "coming out of the place" to the art of Chinese poetry and painting beyond the limits of its own media. This article thinks this kind of push aid mainly manifests in the macroscopic and the microscopic two aspects. From the macroscopic point of view, the transcendental nature and outward aspect of the debate of speech and meaning have found the natural landscape for the art of Chinese poetry and painting, and the inward aspect has established the aesthetic pursuit of the Chinese poetry and painting "margin feeling", "freehand brushwork" and "freehand brushwork". As far as the debate of meaning is concerned, it has the characteristics of transcending the real life and transcending the real life. To a certain extent, it has opened up the main spiritual realm of Chinese artists and constructed a kind of artistic life for the artists. From the microcosmic point of view, the two approaches to solve the contradiction between speech and meaning put forward by the debate of speech and meaning have affected the way of space-time construction and internal thinking of poetry and painting. And to a certain extent for the integration of poetry and painting laid the psychological basis of synaesthesia.
【学位授予单位】：暨南大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：I01

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