概念先行的“实验艺术”
发布时间:2019-02-13 21:51
【摘要】:正作为专有名词,"实验艺术"的提出呈现了一种未来指向。这就意味着提出概念的人们,主动并坚定地将之与其他艺术方式的沉稳、保守、不激进划分开来,努力通过推进艺术创造的先锋性而实现新的美学主张。其明确的针对性导致了随之产生的问题:一旦提出"实验艺术",是否就意味着与其他的艺术构成对立?同时,这也必然导致另一个问题:除"实验艺术"之外的"非实验艺术"的实验性、突破性该如何归纳?
[Abstract]:As a proper term, the proposal of "experimental art" presents a future direction. This means that the people who put forward the concept take the initiative and firmly distinguish it from other artistic methods, and strive to realize the new aesthetic idea by promoting the vanguard nature of artistic creation. Its clear pertinence leads to the question that arises: once "experimental art" is proposed, does it mean that it is opposed to other art? At the same time, this will inevitably lead to another question: besides "experimental art", "non-experimental art" experimental, how to sum up the breakthrough?
【作者单位】: 广州美术学院;
【分类号】:J05
,
本文编号:2421916
[Abstract]:As a proper term, the proposal of "experimental art" presents a future direction. This means that the people who put forward the concept take the initiative and firmly distinguish it from other artistic methods, and strive to realize the new aesthetic idea by promoting the vanguard nature of artistic creation. Its clear pertinence leads to the question that arises: once "experimental art" is proposed, does it mean that it is opposed to other art? At the same time, this will inevitably lead to another question: besides "experimental art", "non-experimental art" experimental, how to sum up the breakthrough?
【作者单位】: 广州美术学院;
【分类号】:J05
,
本文编号:2421916
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