韩国现代纤维艺术的发展与创作探讨
发布时间：2019-02-20 21:44
【摘要】：本文紧紧围绕韩国现代纤维艺术的发展,探讨韩国现代纤维艺术崛起的过程。文章探索了韩国如何立足传统,并在社会经济发展的要求下,处理好工艺、产业、艺术这三者的关系,最终使得现代纤维艺术在文化民主运动的带领下,走向艺术真正的独立发展之路。本文还仔细分析了大量的韩国现代纤维艺术作品,通过对这些个案的分析和归纳,讨论了韩国现代纤维艺术的各个体裁形式的创作特点,主要是从制作方法和主题的特点入手展开的,这些特点不仅深深植根于传统纤维工艺,还紧跟国家生产发展,为现代纤维艺术创作带来了新的活力。 文章大致分为三个部分：第一部分直接指出了韩国现代纤维艺术发展的矛盾焦点——工艺、产业、艺术的关系,并以此焦点为根据,将整个韩国现代纤维艺术发展过程分为四个时期,且每个时期都是围绕焦点矛盾具体展开论述的。第二部分则是通过对韩国现代染色、壁挂、纤维拼贴和软雕塑这四个主要的体裁形式来开展创作探讨。文章分析了作品创作的具体制作方式和主题,通过大量的艺术家作品实例,探讨了韩国现代纤维艺术的制作特点和主题风格特色,还提供了多样的、具有实用借鉴意义的创作理念和制作方法。第三部分则是通过对以上两章论述分析的总结,从中具体找出值得中国借鉴学习的方面,并为中国未来的纤维艺术发展提出一些建设性的意见。 我国现代纤维艺术是从20世纪80年代开始发展的,因此在资料和理论研究方面相比其它艺术专业要薄弱的多,而关于国外现代纤维艺术的研究更是几近贫瘠。本文通过对韩国现代纤维艺术的发展和创作的积极探索,本着丰富国外纤维艺术理论研究资料的目的,提供国外先进的创作思维、观念和方法,希望能为我国现代纤维艺术发展提供一些启示和借鉴,为少有人涉足的韩国现代纤维艺术领域增添新的研究力量。
[Abstract]:This paper focuses on the development of modern fiber art in Korea and discusses the rising process of modern fiber art in Korea. The article explores how Korea should base itself on tradition and deal well with the relationships among craft, industry and art under the requirements of social and economic development, and finally make modern fiber art under the leadership of the cultural and democratic movement. The road to the real independent development of art. This paper also carefully analyzes a large number of Korean modern fiber art works, through the analysis and induction of these cases, discusses the creative characteristics of various genres of Korean modern fiber art. The characteristics are not only deeply rooted in the traditional fiber technology, but also closely follow the development of national production, which has brought new vitality to the modern fiber art creation. The article is divided into three parts: the first part directly points out the contradictory focus of the development of modern fiber art in Korea-the relationship among craft, industry and art, and based on this focus, The whole development process of modern fiber art in Korea is divided into four periods, and each period is discussed concretely around the focus contradiction. The second part discusses the four main styles of Korean modern dyeing, wall hanging, fiber collage and soft sculpture. This paper analyzes the specific ways and themes of the creation of works, discusses the production characteristics and thematic style characteristics of Korean modern fiber art through a large number of examples of artists' works, and provides a variety of. With practical significance of creative ideas and production methods. The third part is a summary of the above two chapters, from which we can find out the aspects that China can learn from, and put forward some constructive suggestions for the future development of fiber art in China. China's modern fiber art began to develop in the 1980s, so it is much weaker than other art majors in data and theoretical research, and the research on foreign modern fiber art is almost barren. Through the active exploration of the development and creation of modern fiber art in Korea, and in order to enrich the theoretical research materials of foreign fiber art, this paper provides advanced creative thinking, ideas and methods abroad. It is hoped that it can provide some enlightenment and reference for the development of modern fiber art in our country, and add new research strength to the field of modern fiber art in South Korea, which few people have set foot in.
【学位授予单位】：杭州师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J131.26
本文编号：2427313
[Abstract]:This paper focuses on the development of modern fiber art in Korea and discusses the rising process of modern fiber art in Korea. The article explores how Korea should base itself on tradition and deal well with the relationships among craft, industry and art under the requirements of social and economic development, and finally make modern fiber art under the leadership of the cultural and democratic movement. The road to the real independent development of art. This paper also carefully analyzes a large number of Korean modern fiber art works, through the analysis and induction of these cases, discusses the creative characteristics of various genres of Korean modern fiber art. The characteristics are not only deeply rooted in the traditional fiber technology, but also closely follow the development of national production, which has brought new vitality to the modern fiber art creation. The article is divided into three parts: the first part directly points out the contradictory focus of the development of modern fiber art in Korea-the relationship among craft, industry and art, and based on this focus, The whole development process of modern fiber art in Korea is divided into four periods, and each period is discussed concretely around the focus contradiction. The second part discusses the four main styles of Korean modern dyeing, wall hanging, fiber collage and soft sculpture. This paper analyzes the specific ways and themes of the creation of works, discusses the production characteristics and thematic style characteristics of Korean modern fiber art through a large number of examples of artists' works, and provides a variety of. With practical significance of creative ideas and production methods. The third part is a summary of the above two chapters, from which we can find out the aspects that China can learn from, and put forward some constructive suggestions for the future development of fiber art in China. China's modern fiber art began to develop in the 1980s, so it is much weaker than other art majors in data and theoretical research, and the research on foreign modern fiber art is almost barren. Through the active exploration of the development and creation of modern fiber art in Korea, and in order to enrich the theoretical research materials of foreign fiber art, this paper provides advanced creative thinking, ideas and methods abroad. It is hoped that it can provide some enlightenment and reference for the development of modern fiber art in our country, and add new research strength to the field of modern fiber art in South Korea, which few people have set foot in.
【学位授予单位】：杭州师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J131.26
【参考文献】
相关期刊论文 前2条
1 林荧泽;对韩国文化之认识逻辑的历史考察──以东亚传统与近代世界为中心[J];当代韩国;1999年01期
2 王春燕;传统文化与现代纤维艺术创作[J];装饰;2003年11期
相关硕士学位论文 前1条
1 张海东;日本当代纤维艺术研究[D];清华大学;2004年
，本文编号：2427313
本文链接：https://www.wllwen.com/wenyilunwen/wenxuell/2427313.html
