论“隐喻性”现成品在后现代艺术中的表现
发布时间：2019-03-20 18:17
【摘要】： 现成品的使用是后现代艺术的一个重要标志，后现代艺术既包括对现代主义的某些继承，又是对现代艺术美学实践的批判、叛离和反讽。从雕塑角度来看，后现代主义和现代主义区别并不在于作品的面貌，而在于它们的创作方法论。创作方法论具体体现在艺术家的材料观念、空间的关注以及艺术主题。现成品也成为后现代艺术的形式问题之一。 后现代艺术最重要的起点是达达和杜尚的反美学主张以及“现成品”概念，从波普艺术、激浪派艺术、极少主义到观念艺术的后现代艺术流派，，对现成品的使用有两种倾向：一是摆脱现代主义的自我，寻找艺术同生活的联系；二是消除形式主义对材料的处理方式以及作品的物质形态，将知觉与认识引向观念。德国艺术家波伊斯虽然参与到上述流派的活动中并接受影响，但是对现成品的使用却隐喻地回到人文主义的阐述模式中，在他的艺术作品中关注的是材料和行为的象征意义。“隐喻性”现成品的材料观的成型成了转折点，艺术的主题开始关注社会、政治、性别与文化的差异和大众文化这些上层建筑。 “隐喻性”现成品的材料观念对当代艺术创作产生了极大的影响，体现出后现代艺术的某些特征，即意义的非确定性，与同时代的解构主义哲学遥相呼应。现成品的隐喻性提供了解读的多重可能性，也导致了写作与阅读的分离。
[Abstract]:The use of finished products is an important symbol of post-modern art, which includes not only some inheritance to modernism, but also criticism, betrayal and irony to the practice of modern art aesthetics. From the point of view of sculpture, the difference between post-modernism and modernism lies not in the appearance of the works, but in their creative methodology. The methodology of creation is embodied in the artist's concept of material, the concern of space and the theme of art. The finished product has also become one of the formal problems of post-modern art. The most important starting point of post-modern art is the anti-aesthetic ideas of Dada and Duchamp, as well as the concept of "finished goods", from pop art, surging art, minimal doctrine to the post-modern art school of concept art. There are two tendencies in the use of the finished product: one is to get rid of the modernist self and to find the connection between art and life; The second is to eliminate the formalism of material processing and the material form of the work, and to lead perception and knowledge to the concept. Although the German artist Boyce is involved in the activities of the above schools and accepts the influence, the use of the finished goods is metaphorically returned to the humanistic model of elaboration. In his works of art, he pays attention to the symbolic significance of materials and behavior. The "metaphorical" material view of the finished product became a turning point, and the theme of art began to focus on the superstructures of society, politics, gender and culture, and mass culture. The concept of "metaphorical" material has a great influence on contemporary art creation, which reflects some characteristics of post-modern art, namely, the non-certainty of meaning, which corresponds with the contemporary deconstruction philosophy. The metaphorical nature of the finished product provides multiple possibilities for interpretation and leads to the separation of writing and reading.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J01
本文编号：2444482
[Abstract]:The use of finished products is an important symbol of post-modern art, which includes not only some inheritance to modernism, but also criticism, betrayal and irony to the practice of modern art aesthetics. From the point of view of sculpture, the difference between post-modernism and modernism lies not in the appearance of the works, but in their creative methodology. The methodology of creation is embodied in the artist's concept of material, the concern of space and the theme of art. The finished product has also become one of the formal problems of post-modern art. The most important starting point of post-modern art is the anti-aesthetic ideas of Dada and Duchamp, as well as the concept of "finished goods", from pop art, surging art, minimal doctrine to the post-modern art school of concept art. There are two tendencies in the use of the finished product: one is to get rid of the modernist self and to find the connection between art and life; The second is to eliminate the formalism of material processing and the material form of the work, and to lead perception and knowledge to the concept. Although the German artist Boyce is involved in the activities of the above schools and accepts the influence, the use of the finished goods is metaphorically returned to the humanistic model of elaboration. In his works of art, he pays attention to the symbolic significance of materials and behavior. The "metaphorical" material view of the finished product became a turning point, and the theme of art began to focus on the superstructures of society, politics, gender and culture, and mass culture. The concept of "metaphorical" material has a great influence on contemporary art creation, which reflects some characteristics of post-modern art, namely, the non-certainty of meaning, which corresponds with the contemporary deconstruction philosophy. The metaphorical nature of the finished product provides multiple possibilities for interpretation and leads to the separation of writing and reading.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J01
【引证文献】
相关硕士学位论文 前1条
1 陶媛;白南准研究[D];南京艺术学院;2010年
本文编号：2444482
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