形象与史学——兼论“中华文明历史题材美术创作工程”

发布时间：2018-01-15 21:31

  本文关键词：形象与史学——兼论“中华文明历史题材美术创作工程”　出处：《中国国家博物馆馆刊》2017年06期 　论文类型：期刊论文

  更多相关文章： 中华文明 形象 史学 工程

【摘要】：文字记载的文献,是中国古代历史研究的主要依据。但在物质文化领域,文字记载则不够全面、具体和形象,给学术研究造成局限。直到20世纪中叶,以沈从文为代表的学者在继承传统历史研究的基础上,开始全面利用出土和传世文物中的形象史料,结合文献对文化史问题进行研究,形成形象史学的研究方法,并取得突出成绩。在考古学科快速发展,提供大量出土资料的基础上,形象史学的理论方法逐渐为学界认同,表现形式也在不断创新。"中华文明历史题材美术创作工程"就是在上述背景下出现的完全用绘画、雕塑等艺术形象研究表述的中国通史,是形象史学创新理论的新实践,具有重要的历史意义。同时,工程的竣工还可向不同文化层次,不同语言和国界的读者展示中国历史,促进传统文化的传承与传播,具有突出的现实意义。
[Abstract]:The literature of written records is the main basis for the study of ancient Chinese history. But in the field of material culture, written records are not comprehensive, specific and image, resulting in the limitation of academic research until the middle of 20th century. On the basis of inheriting the traditional historical research, the scholars represented by Shen Congwen began to make full use of the image historical data of unearthed and handed down cultural relics, and combined with the literature to study the cultural history. On the basis of the rapid development of archaeology and the provision of a large number of unearthed materials, the theoretical method of image history is gradually recognized by the academic circles. The form of expression is also constantly innovating. "Art creation Project of Chinese Civilization History theme" is a general history of China which appears under the above background, which is completely expressed by art images such as painting, sculpture and so on. At the same time, the completion of the project can also show Chinese history to readers of different cultural levels, different languages and national boundaries. It is of great practical significance to promote the inheritance and dissemination of traditional culture.
【作者单位】： 中国社会科学院历史研究所;
【分类号】：J120.9
【正文快照】： 不久前,凡历六年,完全运用绘画、雕塑等艺术形式来表现中国通史的“中华文明历史题材美术创作工程”结项,实在可喜可贺!它的完成不仅意味着工程本身画上了圆满的句号,更重要的是,在中国悠久历史的表现上又增加了新的形式,即完全用艺术形象来演绎一部完整的中国历史。这种方式,，

本文编号：1430144