后现代语境下的艺术理解问题

发布时间：2018-01-16 02:15

本文关键词：后现代语境下的艺术理解问题　出处：《河北师范大学》2015年硕士论文　论文类型：学位论文

【摘要】：后现代艺术以一种对既往艺术的反叛面貌出现,表现出种种“反”艺术的倾向。面对新的艺术实践,美学家与艺术哲学家需要在新的语境下对艺术进行新的概括,“艺术是什么?”被重新提出。二十世纪中后期是一个重要的时间点,后现代主义兴起,以莫里斯·魏茨、门罗·比尔兹列、阿瑟·丹托、乔治·迪基、诺埃尔·卡罗尔等为代表的美学家都对艺术问题做出了独特的阐释,其中也穿插着关于后现代艺术的种种争论。本文通过对相关理论家观点的分析、梳理与评析,以艺术定义为聚焦点,试图描述一种多样化的艺术理解观念。本文共分为三部分:第一部分,主要是对后现代主义这一语境的概括与阐述、对后现代艺术的介绍与分析,以让-弗朗索瓦·利奥塔等的理论为主要依据;第二部分,主要阐述了两种艺术定义路径:艺术的不可定义论与可定义论,以莫里斯·魏茨、门罗·比尔兹列、纳尔逊·古德曼为主;第三部分,重点阐释了艺术可定义论中的三种重要论断:阿瑟·丹托、乔治·迪基与诺埃尔·卡罗尔的相关理论。
[Abstract]:Post-modern art appears as a kind of rebellious appearance to the past art, showing all kinds of "anti-art" tendency and facing the new art practice. Aestheticians and art philosophers need to generalize art in a new context. "what is art?" "it was restated. In 20th century it was an important point in time, the rise of postmodernism, with Maurice Weitz, Monroe Beardsley, Arthur Danto, George Dickie. Noel Carroll and other aestheticians have made a unique interpretation of the art problem, which is also interspersed with various arguments about post-modern art. This paper analyzes the views of relevant theorists. Combing and analyzing, taking the definition of art as the focal point, this paper tries to describe a variety of artistic understanding concepts. This paper is divided into three parts: the first part is the summary and elaboration of the context of postmodernism. The introduction and analysis of post-modern art are mainly based on the theory of Jean-Francois Leotta. In the second part, there are two main ways to define art: the undefinibility and the definibility of art, mainly Morse Weitz, Monroe Beardsley, Nelson Goodman; The third part focuses on three important theories of Definability: Arthur Danto, George Dickie and Noel Carroll.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J05

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