象与真——中国艺术审美的真实性研究

发布时间：2018-02-04 22:00

本文关键词： 真实言象意画论　出处：《河南大学》2009年硕士论文　论文类型：学位论文

【摘要】： 随着现代传媒技术手段的革新,摄影、电视、电影、网络制造等产生的大量图像不断进入人类的视野。图像“看起来”与真实更为接近,甚至图像就是真实;文字或者书写的统治地位受到冲击,传统意义上的文学的真实遭受怀疑、面临瓦解,世界已被图像包围,进入后现代性视觉文化也即图像时代。德波的景观社会概念标示了图像不再是自然和真实,甚至虚构的意义更为显著,景观就是日常生活;鲍德里亚的理论研究把图像完全推入了“超真实”,图像自我产生,已经与现实物象毫无联系,成为无深度、平面化的“拟像”等,他描述的是图像与事物之间的关系,但其真正的意图却是揭示图像中深度意义的消亡。然而,在探求文学艺术在图像时代的生存策略这一问题上,中国古典“象”理论显示出其独到的优势,中国古代文论核心范畴“象”、与它所联系着的“言、象、意”之间的互动体系以及受此影响所形成的意象、意境范畴,一致揭示了这样一种含义:“象”与意义直接相连并且“象”中即有真意。本文讨论的主题是“象与真”,从探究现代图像泛滥却导致深意消失的原因出发,梳理古代文论中象与真实的互动关系,研究象理论的意义言说方式,探讨象与真的融合问题和此种深度意义在诗论、画论中的具体展现,考察现代图像与真实脱节、其深意逐渐隐遁的历程、原因和中国古代象理论在探寻深意的思维方式、艺术追求等方面的借鉴意义,以及中国古代文论的现代转换问题。
[Abstract]:With the innovation of modern media technology, a large number of images produced by photography, television, film, network manufacturing and so on are constantly coming into human view. The image "looks" is closer to the reality, even the image is true; The dominant position of writing or writing has been challenged, the truth of traditional literature has been questioned, and the world has been surrounded by images. The concept of landscape society of Debo indicates that the image is no longer natural and real, and even the meaning of fiction is more obvious. The landscape is daily life. Baudrillard's theoretical research has completely pushed the image into the "super reality", the image self-production, has no relation with the real object image, has become the depth, the plane "simulacra" and so on. He describes the relationship between images and things, but its real intention is to reveal the disappearance of depth meaning in images. However, on the question of exploring the survival strategy of literature and art in the image age, Chinese classical "elephant" theory shows its unique advantages. The core category of ancient Chinese literary theory, "elephant", is associated with "words". The system of interaction between "image, meaning" and the image formed by this influence, the category of artistic conception, reveals a kind of meaning: "image" and "meaning" are directly linked and there is true meaning in "image". The theme of this paper is "image and truth". From the point of exploring the reason why the modern image overflows but leads to the disappearance of profound meaning, this paper combs the interactive relationship between image and reality in ancient literary theory, and studies the means of meaning and expression of image theory. This paper probes into the fusion of image and truth and the concrete display of this kind of deep meaning in poetics and painting theory, examines the disconnection between modern image and reality, and the course of its profound meaning gradually reclining. The reason and the reference meaning of the ancient Chinese image theory in exploring the profound way of thinking and the pursuit of art, as well as the problem of the modern transformation of the ancient Chinese literary theory.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J0-02

【引证文献】