极致的真实:传媒艺术的核心性美学特征与文化困境

发布时间：2018-02-04 22:21

本文关键词： 传媒艺术美学特征传统艺术 “仿真” 大众文化批判　出处：《深圳大学学报(人文社会科学版)》2017年05期 　论文类型：期刊论文

【摘要】：传媒艺术主要包括摄影艺术、电影艺术、广播电视艺术、新媒体艺术等艺术形式,同时也包括一些经现代传媒改造了的传统艺术形式。"仿真"是鲍德里亚"仿像"观点的第三等级,指的是一种摹仿之真,彰示着传媒艺术的美学特征。传媒艺术摹仿真实的符号群本身便呈现出构成物质世界的假象,以至于艺术接受者越来越不辨"仿真"之真与现实、客观、原始、朴素之真的区别。以动态影像为基础性艺术元素的传媒艺术,由于日常化、连续性、包裹式地用动态影像这种"真实的符号"代替"真实本身",而表现出极度、极致地聚焦、呈现和张扬"现实"的美学风格,这成为传媒艺术和传统艺术在美学特征上的一个极为核心的区别。同时,传媒艺术与传统艺术在摹仿真实问题上有重要区别,如传统艺术之"意"与传媒艺术之"形"、传统艺术的距离存在与传媒艺术的距离消解。这些特征和影响背后也必然存有"仿真"这一传媒艺术美学特征背后的大众文化困境,如艺术接受者易被庸常化、被均一化、忽略对本质层面的追寻等。
[Abstract]:Media art mainly includes photography art, film art, radio and television art, new media art and other art forms. At the same time, it also includes some traditional art forms modified by modern media. "Simulation" is the third level of Baudrillard's view of "imitation", which refers to a kind of imitation of the truth. It shows the aesthetic characteristics of the media art. The media art imitates the real symbol group itself and presents the illusion of forming the material world, so that the art recipients increasingly do not distinguish the truth and reality of "simulation", objective and primitive. The real difference of simplicity. The media art with dynamic image as the basic artistic element, because of the daily, continuity, the "real symbol" of the dynamic image is used to replace the "reality itself". Showing extreme, extreme focus, presenting and publicizing the aesthetic style of "reality" has become a core difference between media art and traditional art in aesthetic characteristics. At the same time. There are important differences between media art and traditional art in imitating reality, such as "meaning" of traditional art and "shape" of media art. The distance between the traditional art and the media art is dispelled. Behind these characteristics and influences, there must be the mass cultural dilemma behind the "simulation", which is the aesthetic characteristic of the media art, for example, the art receiver is easy to be mediocre. Being homogenized, ignoring the pursuit of the essential level, and so on.
【作者单位】：中国传媒大学学报《现代传播》编辑部;
【基金】：国家社会科学基金重大项目“中国影视文化软实力提升的战略与策略研究”(14ZDA055) 中国传媒大学科研培育项目“传媒艺术研究的必要性论析”(CUC15A72) 国家新闻出版广电总局部级社科基金项目“媒介融合时代中国电视时政新闻发展创新研究”(GD1709)
【分类号】：G206;J01
【正文快照】： 一、引言:何谓传媒艺术纵观人类艺术发展史,有一个庞大的艺术族群是人类最先熟悉的:人类将自己的情感、思想和想象与特定的材质和形式相结合,表现出基于现实又超越现实的特殊世界,造就了音乐、舞蹈、文学、建筑、雕塑、绘画、戏剧等蔚为壮观的艺术族群。我们称这一艺术族群为

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