论意义作为艺术品价格基础的可能性——基于现象学的考察

发布时间：2018-05-16 00:00

本文选题：现象学 + 艺术品价格　；参考：《山东大学学报(哲学社会科学版)》2017年02期

【摘要】：艺术品价格研究的基础有两种向度:艺术学研究向度和经济学研究向度,艺术学研究向度强调艺术价值作为艺术品价格的根源,只能对艺术品的价格进行定性化;经济学研究向度强调艺术商品的流通过程作为艺术品价格的根源,将艺术品等同于一般商品。在现象学视野中,这两种研究向度都将艺术品视为一种现成品。现象学认为艺术品并非一种现成品,而是意义的流动过程,艺术品价格应以艺术意义的流动过程为基础。在艺术意义流动的过程中,艺术家记录了生活世界的显现并将这一显现构建为具体的艺术作品,形成了艺术品原初意义;读者使艺术作品的潜在意义形成为一种现实的意义,随作品传播的读者意义扩充了艺术意义;艺术经典的意义构成为某个文化共同体的基因,反过来又扩充了艺术意义的容量。意义流动的过程必然体现在艺术品的价格之中。
[Abstract]:The basis of art price research has two dimensions: art research direction and economics research direction, art research direction emphasizes that art value is the root of art price, and only the price of art can be qualitatively analyzed; The direction of economic research emphasizes the circulation process of art goods as the root of art price and equates art with general commodities. In the phenomenological view, both of these studies regard art as a finished product. Phenomenology holds that art is not a finished product, but a flowing process of meaning, and the price of art should be based on the flowing process of artistic meaning. In the process of artistic meaning flowing, the artist records the manifestation of the life world and constructs it into concrete works of art, forming the original meaning of art, the reader makes the latent meaning of art work form a kind of realistic meaning, The reader's meaning spread with the work expands the artistic meaning, and the meaning of the art classic is the gene of a certain cultural community, which in turn expands the capacity of the artistic meaning. The process of meaning flow must be reflected in the price of works of art.
【作者单位】：山东财经大学文学与新闻传播学院;
【基金】：国家社科基金一般资助项目“现象学视域中生态美学的方法论问题研究”(13BZW022)
【分类号】：J124

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