文本唯美化:西方现代艺术神殿与神化艺术家身份的密匙

发布时间：2018-05-27 02:36

本文选题：现代审美伦理 + 自律性艺术　；参考：《湖北大学学报(哲学社会科学版)》2017年03期

【摘要】：现代艺术——美的艺术,被唯美主义天才诗人们从中介性角色推向终极地位,即由康德思想中经美的形式通向自由人格(理性人)这种桥梁作用——创化为唯美主义者自身职业乃至全部生存的唯一诉求。这种变化生成于作为对象的美的形式及与之相关的独立倾向上,来源于唯美主义者的理论主张和身体文本塑造中。现代艺术从此成为生活的蓝本,成为这一时期巴黎、伦敦部分艺术弄潮儿挑战现代理性与世俗道德伦理——非康德本意——的行动指南,成为他们于流俗中继续保持感性存在状态时的鲜艳标签乃至自我营销宝典。这种艺术至上的诉求在同期乃至后来其他具有波西米亚气质的绝世灵魂中不时产生回响。
[Abstract]:Modern art-the art of beauty, has been pushed from the intermediary role to the ultimate status by the aesthetically gifted poets. That is, from the aesthetic form of Kant's thought to the bridge of free personality (rational person)-the only demand for the aestheticists to survive is their own occupation and even the whole existence. This kind of change comes from the form of beauty as the object and the independent tendency related to it. It comes from aestheticism's theory and body text. From then on, modern art became the blueprint of life, and became the guide to the actions of some of the art craftsmen in London during this period to challenge the modern rational and secular moral ethics, which was not Kant's intention. As they continue to maintain the state of sensual existence in the flow of bright labels and even self-marketing treasure book. This appeal of artistic supremacy echoes from time to time in other bohemian spirits.
【作者单位】：黄冈师范学院文学院;
【基金】：湖北省社会科学基金资助项目:2016035
【分类号】：I0

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