徐渭的“真我”说及其艺术实践

发布时间：2018-07-15 20:22

【摘要】：明代徐渭工诗能文,书画兼长,旁涉戏曲,于各个领域皆独树一帜,而且其鲜明的艺术主张也在很大程度上显扬和引领了时代风气。以“真我”说为基础的艺术主体论作为徐渭文艺观的核心,贯注于其一生的艺术实践之中,本文的写作以徐渭的“真我”说为研究对象,综合“真我”说在其创作中的延伸和呈现,旨在揭示该理论的丰富内涵以及与艺术实践的互动关系。本论文第一章论述徐渭“真我”说之形成,从明中期社会背景着手：政治混乱,道统大崩；商品经济繁荣,市民阶层扩大；文化拟古主张风行于世。这些都激发了徐渭等文人的自我意识。其次是徐渭的师承与交游情况：学宗王门,师从季本、王畿,接受了强调人的主体性的心学；会通佛道,吸收其中有用成分；身处越中,受地域文化熏陶渐染。第二章探讨徐渭“真我”说之理论内涵。以儒释道三家以及王学的演进为出发点,探求其内在的哲学底蕴,包括两个方面：一是对“真”之内涵的界定,二是对“我”之价值的发现。同时,将“真我”说延伸至艺术领域,论述徐渭“本乎情”的艺术主体论,“己之所自得”的个性呼唤,“宜俗宜真”与“愈出愈奇“的审美追求,以及“适意“与”明道“的艺术功用观。第三章阐述徐渭“真我”说在其艺术创作中的呈现。从各个门类的艺术作品出发,进行全方位、立体性的综合分析,探究徐渭“真我”说经由哲学体系进入到艺术世界的表现,分别从真我身份确认、真我建构以及真我物化三个角度着手分析。第四章论述徐渭的观点在中国古代艺术史上的地位和影响,并且将其观点放在现代视野中进行审视,分析其对人性的呼唤,对艺术观念的践行给当代艺术发展带来的有益的启示和深刻的价值。
[Abstract]:In Ming Dynasty, Xu Weigong's poetry and prose, painting and calligraphy were both long and related to opera, which were unique in all fields, and his distinctive artistic ideas also greatly promoted and led the trend of the times. As the core of Xu Wei's view of literature and art, the theory of art subject based on the theory of "true self" is the core of Xu Wei's view of literature and art, which is absorbed in his whole life's artistic practice. The writing of this article takes Xu Wei's theory of "true self" as the object of study. The purpose of this paper is to reveal the rich connotation of the theory and its interactive relationship with artistic practice. The first chapter discusses the formation of Xu Wei's "true self" theory, starting from the social background of the middle Ming Dynasty: political chaos, the collapse of Taoism, the prosperity of commodity economy, the expansion of the public stratum, and the popular idea of cultural imitating ancient times. All these have inspired the self-consciousness of scholars such as Xu Wei. Secondly, Xu Wei's teachers and friends: Xue Zong Wang Men, teacher Ji Ben, Wang Ji, accepted the study of mind which emphasizes the subjectivity of human beings; understood the Buddhist way and absorbed useful elements in it; in the middle of the Yue Dynasty, it was gradually influenced by regional culture. The second chapter discusses the theoretical connotation of Xu Wei's "true self" theory. Based on the evolution of Confucianism, Buddhism and Taoism, and the evolution of Wang's study, this paper explores its inner philosophical connotation, including two aspects: the definition of the connotation of "truth" and the discovery of the value of "I". At the same time, it extends the theory of "true self" to the field of art, and discusses Xu Wei's theory of artistic subject, his individuality calling for his own self-satisfaction, his aesthetic pursuit of "suiting the common and the truth" and the aesthetic pursuit of "becoming more and more strange". As well as the artistic function view of "suitable will" and "Ming Dao". The third chapter expounds the presentation of Xu Wei's "true self" theory in his artistic creation. Proceeding from the works of art of various categories, this paper makes a comprehensive analysis of the all-round and three-dimensional nature of Xu Wei's "true self" theory and explores the expression of Xu Wei's "true self" theory entering the art world through the philosophical system, and confirming his identity from the true self, respectively. Real self construction and real self materialization from three angles of analysis. The fourth chapter discusses the position and influence of Xu Wei's views in the history of ancient Chinese art, and examines his views from the perspective of modern times, and analyzes his call for human nature. The practice of art concept brings beneficial enlightenment and profound value to the development of contemporary art.
【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J01

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