论中西比较美术学的研究规律及其意义
发布时间：2018-07-18 13:10
【摘要】：我国中西比较美术学学科实践是在"西学东渐"的时代背景中开始的。对我国中西比较美术成果的梳理发现,中西比较美术学学科现状并不乐观,它的研究方法一直依附于比较文学,这使得比较美术学的特点在某种程度上被遮蔽。中西比较美术的比较内涵具有独特性,它在研究方法上除具有实证的影响比较研究和具有类型性与风格特点的平行研究外,还包括跨文化、跨民族的阐发研究。但是无论如何,中西比较美术首先体现为美术研究,美术理论、美术批评、美术史作为其基本理论。由此,中西比较美术研究是美术研究方法与比较美术研究方法的综合。在当今中西美术相互融合的时代背景下,中西比较美术学的实践呼唤比较美术学学科理论的完善,以此能更好地指导中西比较美术学的实践,促进美术研究成果的产出。
[Abstract]:The practice of Chinese and Western Comparative Fine Arts began in the background of "Western Learning spreading to the East". Combing the achievements of Chinese and Western comparative fine arts, it is found that the present situation of Chinese and Western comparative fine arts is not optimistic, its research method is always attached to comparative literature, which makes the characteristics of comparative art obscured to some extent. The comparative connotation of Chinese and Western comparative art is unique. It not only has positive influence comparative research and parallel research with type and style characteristics, but also includes cross-cultural and cross-national elucidation research. But in any case, Chinese and Western comparative art first embodied in art research, art theory, art criticism, art history as its basic theory. Therefore, Chinese and western comparative art research is a synthesis of art research methods and comparative art research methods. Under the background of the fusion of Chinese and Western fine arts, the practice of Chinese and Western comparative fine arts calls for the perfection of the discipline theory of comparative fine arts, which can better guide the practice of Chinese and Western comparative art and promote the production of art research achievements.
【作者单位】： 陕西师范大学美术学院;
【分类号】：J0-03
，
本文编号：2132000
[Abstract]:The practice of Chinese and Western Comparative Fine Arts began in the background of "Western Learning spreading to the East". Combing the achievements of Chinese and Western comparative fine arts, it is found that the present situation of Chinese and Western comparative fine arts is not optimistic, its research method is always attached to comparative literature, which makes the characteristics of comparative art obscured to some extent. The comparative connotation of Chinese and Western comparative art is unique. It not only has positive influence comparative research and parallel research with type and style characteristics, but also includes cross-cultural and cross-national elucidation research. But in any case, Chinese and Western comparative art first embodied in art research, art theory, art criticism, art history as its basic theory. Therefore, Chinese and western comparative art research is a synthesis of art research methods and comparative art research methods. Under the background of the fusion of Chinese and Western fine arts, the practice of Chinese and Western comparative fine arts calls for the perfection of the discipline theory of comparative fine arts, which can better guide the practice of Chinese and Western comparative art and promote the production of art research achievements.
【作者单位】： 陕西师范大学美术学院;
【分类号】：J0-03
，
本文编号：2132000
本文链接：https://www.wllwen.com/wenyilunwen/wenxuepinglunlunwen/2132000.html
