汤婷婷《女勇士》中的后现代主义特征

发布时间：2018-01-05 09:06

本文关键词：汤婷婷《女勇士》中的后现代主义特征　出处：《河北师范大学》2012年硕士论文　论文类型：学位论文

【摘要】：汤亭亭的《女勇士》自问世以来,取得了巨大的成功,被盛赞为振兴华裔文学的开山力作。《女勇士》自出版以来,先后被翻译成20多种文字。不仅作为文学作品被讨论,而且被视为美国研究、人类学研究、历史研究、族裔属性研究、妇女研究等主要的文化读本。全书共有五个章节,每一个部分都既可以独立成章,又紧密相连。书中支离破碎的记忆和天马行空的想象时常让读者如坠云雾,中美文化之间纷繁复杂的冲突此起彼伏。人们试图从多重视角解读这部作品,评论家们各抒己见,有赞颂欣赏,也有贬低讽刺。代表性的评论大致有以下几类,有人认为该书的主要特色是神秘的东方色彩,有人认为该小说的中心是揭示中国妇女的痛苦遭遇,有人认为该小说的主题是沉默与发声,也有学者认为该小说揭示了华裔女性建构自身文化身份的过程,还有人认为其主要介绍了母女关系问题,还有人从成长小说的角度去探讨其中的成长主题。本文另辟蹊径,主要借助后现代主义理论,详细阐明了其鲜明的特点。本文共分四部分。第一部分是对华裔美国文学的简要介绍,以及对汤亭亭生平和三部主要作品的介绍。文中重点介绍了《女勇上》这部作品的主要内容及国内外对它的评价。第二部分简单介绍后现代主义以及其主要特征。第三部分到第五部分分别探讨了后现代主义特征在《女勇士》中的体现,比如叙事结构、互文性,和拼贴的特点。第六部分是对全文的总结。本文作者通过对汤亭亭及其作品的进行的简单分析,提出了自己的看法。认为从后现代主义的角度来研究《女勇士》可以得出两点结论。第一通过解读看似支离破碎的五个故事,发现作者意识到了个人身份的缺失,为了改变这种状况,以男子气概来武装自己的身份。第二,通过对中国神话故事的改写,尤其是全书以蔡琰唱出“胡笳十八拍”的故事结束隐喻其终于找到了华裔文化的表达方式,揭示了其对中西文化互相沟通和互相融合的呼唤。
[Abstract]:Kingston's "Women Warriors" has achieved great success since it was published, and has been praised as a pioneering work to revitalize Chinese literature. "female Warriors" has been published since its publication. It has been translated into more than 20 languages, not only as a literary work, but also as American studies, anthropological studies, historical studies, ethnic identity studies. Major cultural books, such as women's studies. There are five chapters in the book, each of which can be separated into chapters and closely linked. The fragmented memory and imagination in the book often make the reader fall into a cloud. There are numerous and complicated conflicts between Chinese and American cultures. People try to interpret the work from a variety of perspectives, with critics expressing their views, admiring and belittling satire. There are several types of representative comments. Some people think that the main feature of the book is the mysterious oriental color, some think that the center of the novel is to reveal the suffering of Chinese women, others think that the theme of the novel is silence and voice. Some scholars believe that the novel reveals the process of Chinese women to construct their own cultural identity, and others think that it mainly introduces the mother-daughter relationship. There are also some people from the perspective of the growth of the novel to explore the theme of growth. This paper explores a new way, mainly with the help of post-modernism theory, detailed elucidation of its distinctive characteristics. This paper is divided into four parts. The first part is a brief introduction to Chinese American literature, as well as a brief introduction to Kingston's life and three main works. The second part briefly introduces postmodernism and its main characteristics. The third part to 5th part discusses the postmodernism characteristic in the female Warrior respectively, such as narrative structure, intertextuality, and collage characteristic. Part 6th is a summary of the full text. The author of this paper through a simple analysis of Kingston and his works. The author puts forward his own view and thinks that two conclusions can be drawn from the study of Women Warriors from the perspective of postmodernism. The first one is to interpret the five seemingly fragmented stories. Found that the author realized the lack of personal identity, in order to change this situation, armed their identity with manhood. Second, through the rewriting of Chinese mythology. Especially in the end of the story of Cai Yan singing "Hu Jia 18", the book finally finds the expression of Chinese culture and reveals its call for mutual communication and integration between Chinese and Western cultures.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I712.074

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