郑澈诗的风流美学研究

发布时间：2018-02-21 06:58

本文关键词： 风流兴憾无心美意识　出处：《延边大学》2012年硕士论文　论文类型：学位论文

【摘要】：松江郑澈作为风靡一时的风流人物,他所创造的诗里也都深深内含着风流精神。对郑澈风流美学进行考察是对我们民族的根源思想,以及对我们民族最核心的传统风流思想进行理解,对进一步揭示郑澈的美意识提供了重要的契机。本论文对表现在郑澈诗中的风流美学进行了分析。首先对郑澈的创作过程和他的风流美学进行了探索,然后对风流的根源以及哲学、美学意义进行了解,其次对郑澈诗的风流样相进行了分析,最后对他的风流诗受容样相和其时代意义进行了归纳。首先,连贯郑澈的生平,了解了他的风流思想,并对他的美学追求进行了分析。然后,以对郑澈“文学风流”的意见为中心,对他的“文学风流”进行了解释。其次,综合了对风流的概念,以及风流的哲学意义和美学意义。郑澈诗的风流样相可以分为三种。第一是,自然风流。郑澈身为士大夫中的一人,始终对大自然怀有向往之心,由此表露出他的风流性格。但是根据他最终还是没能实现隐居生活的前提下,我们能看出,通过自然的现实向往性格与他的风流思想是有着关联的。第二是,饮酒风流。当郑澈满足于现实生活时,他会以‘兴’的方式享受风流。相反,受到现实生活的排斥时,他就会借酒显现出‘憾’的情节,这也是能够表现他风流一面的好例子。第三是,郑澈脱离现实的风流。他以自我独特的形象化,选择了仙界或女性话者。神仙意识是他超脱的一面,显现出自身与神仙和为一体的‘无心’的世界。而且,女性话者的出现也是一种脱离现实的试图,是他有意识显现‘憾’情节的一个表现。郑澈的风流诗不仅在朝鲜朝时期,经过后代,至今还有很多人共享和模仿他的风流诗,并进行创造。这种现象说明郑澈风流诗的美意识得到了充分的认可,同时启示着他的风流思想与我们民族共同的内心世界及美意识有着紧密联系。本论文不仅能更进一步了解风流美学及松江诗中所表现的风流样相,还能进一步表明流淌在松江内心的风流性和美意识。从而最终能够对当时士大夫们的风流思想,以及内在于郑澈风流诗中的民族文化意识有比较客观的了解。
[Abstract]:Songjiang Zheng Chul, as a fashionable personage, his poems are also deeply imbued with romantic spirit. The investigation of Zheng Che's romantic aesthetics is the root thought of our nation. The understanding of our nation's core traditional romantic thoughts provides an important opportunity to further reveal Zheng Chul's sense of beauty. In this paper, the author analyzes the aesthetics in Zheng Che's poems. First of all, the author explores Zheng's creative process and his aesthetics, and then understands the origin, philosophy and aesthetic significance of the style and flow. Secondly, the author analyzes the style of Zheng Che's poems, and concludes his style poems as well as the significance of his times. First of all, it follows Zheng Che's life, understands his romantic thoughts, and analyzes his aesthetic pursuits. Then, with his opinion on Zheng Chul's "literary style" as the center, it explains his "literary style". It synthesizes the concept of wind and flow, as well as its philosophical and aesthetic significance. The style of Zheng Chul's poems can be divided into three types. The first is that he is natural. As a scholar and bureaucrat, Zheng Chul always has a yearning for nature. This reveals his romantic character. But based on his failure to realize his seclusion in the end, we can see that there is a connection between his romantic character and his romantic thoughts through the realistic nature of nature. The second is that, Drinking is romantic. When Zheng Chul is satisfied with real life, he will enjoy it in a 'fun' way. On the contrary, when he is rejected by real life, he will use alcohol to show 'regret' plot. This is also a good example of his romantic side. Thirdly, Zheng is out of touch with reality. He chooses the immortal world or the female speaker with his own unique image. The immortal consciousness is his transcendent side. The appearance of a female speaker is also an attempt to be out of touch with reality and a manifestation of his conscious manifestation of the 'regret' plot. Zheng Che's romantic poems were not only in the period of the Korean Dynasty, but have been shared, imitated and created by many people through the future generations. This phenomenon shows that the aesthetic consciousness of Zheng Che's romantic poems has been fully recognized. At the same time, it reveals that his romantic thoughts are closely related to the common inner world and aesthetic consciousness of our nation. This thesis can not only further understand the romantic aesthetics and the songjiang poems, but also show the flowing nature and aesthetic consciousness in Songjiang's heart, so as to be able to understand the scholars and bureaucrats' romantic thoughts at that time. And the internal sense of national culture in Zheng Che's poems has a more objective understanding.
【学位授予单位】：延边大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I312.072

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