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对荒诞性视阈下品特早期作品中悲剧元素的解析

发布时间:2018-05-04 07:43

  本文选题:荒诞 + 悲剧元素 ; 参考:《大连外国语学院》2012年硕士论文


【摘要】:2005年诺贝尔文学奖的获得者哈罗德·品特是荒诞派戏剧杰出的代表人物,他给50年代后期的英国戏剧注入了新鲜的活力,是战后英国戏剧史上最耀眼的一颗巨星。品特的作品真实地揭示了人类生存现状这一严肃的问题。以喜写悲,用喜剧的表现形式表达悲剧的内容是品特戏剧作品的一个典型的特点。在荒诞的表象下隐藏着浓郁的悲剧色彩。然而,荒诞表象下的悲剧元素却常常被人忽略。事实上,荒诞面具下的悲剧元素才是引起观众共鸣并发人深思的真正源泉,也是剧作的真正意义所在。 本文在尼采的悲剧理论和萨特的存在主义理论所组成的理论框架下,试图揭开品特戏剧的荒诞的面具,对其三部早期戏剧作品《房间》《生日晚会》《看管人》中的各种悲剧元素及其所产生的积极意义进行解析。激励人们以乐观的态度对待生活中的各种不利因素,创造自己的生存价值。 全文共分为七章:第一章:介绍哈罗德·品特的生平和作品,国内外研究现状,悲剧和荒诞派戏剧的发展以及论文的主要论题。第二章:介绍论文涉及的主要理论。从第三章到第五章,本文从三个不同角度对相关作品中的悲剧元素进行分析。第三章,以品特的“威胁喜剧”作为切入点,分析剧中体现的各种威胁的悲剧元素及其不可逃避性。第四章,借助品特戏剧的语言特点分析日常交流中所体现的人际关系的悲剧元素。第五章,分析剧中人物在异化的世界中为了生存所做出的顽强斗争。第六章;分析品特戏剧中所蕴含的悲剧元素的现实意义。第七章:总结部分,对三部剧中的所体现的悲剧元素进行简要总结,启发人们以乐观的态度面对生活。
[Abstract]:Harold Pinter, the winner of the 2005 Nobel Prize for Literature, is an outstanding representative of the absurd drama. He injected fresh vitality into the British drama in the late 1950s and became the most dazzling superstar in the history of postwar British drama. Pinter's works reveal the serious problem of human existence. It is a typical feature of Pinter's dramatic works to express tragedy in the form of comedy. Under the absurd appearance hides the rich tragedy color. However, the tragic elements under the absurd appearance are often ignored. In fact, the tragic element under the absurd mask is the real source of the audience's resonance and thought-provoking, and the real meaning of the play. Under the framework of Nietzsche's theory of tragedy and Sartre's theory of existentialism, this paper attempts to unmask the absurdity of Pinter's drama. This paper analyzes the tragic elements and the positive significance of the three early drama works "Room" "Birthday Party" and "the caretaker". Encourage people to treat all kinds of adverse factors in life with optimistic attitude, and create their own survival value. The thesis is divided into seven chapters: the first chapter introduces the life and works of Harold Pinter, the current research situation at home and abroad, the development of tragedy and absurd drama, and the main topics of the thesis. Chapter two: introduce the main theories involved in the thesis. From Chapter 3 to Chapter 5, this paper analyzes the tragic elements in related works from three different angles. The third chapter analyzes the tragic elements of all kinds of threats and their evasiveness by Pinter's threat Comedy. Chapter four analyzes the tragic elements of interpersonal relationship in daily communication with the help of the linguistic characteristics of Pinter's plays. The fifth chapter analyzes the characters in the alienated world in order to survive the dogged struggle. Chapter six analyzes the realistic significance of the tragic elements contained in Pinter's plays. Chapter seven summarizes the tragic elements in the three plays and enlightens people to face life with optimism.
【学位授予单位】:大连外国语学院
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:I561.073

【共引文献】

相关期刊论文 前2条

1 贺仲明;;如何重估百年新文学的成就——兼论新文学的本土化与民族化[J];探索与争鸣;2010年05期

2 卓薇;;浅析基督教对福克纳的影响——以《我弥留之际》为例[J];青年作家(中外文艺版);2011年04期

相关硕士学位论文 前2条

1 张雅卿;[D];郑州大学;2009年

2 包耿宜;“但泽三部曲”的神话原型批评[D];西北师范大学;2012年



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