探寻身份的开放之地：希尼诗歌中身份的空间建构

发布时间：2018-05-10 10:47

本文选题：希尼 + 身份　；参考：《西南大学》2014年硕士论文

【摘要】：本文在导论部分说明了本研究的前提、价值和目标。该部分首先指出,身份问题做为文化研究的关注热点,也同时成为了空间研究涉足的一个新的领域。由于空间的开放性和创造性特征,空间对身份的全新建构使得身份跳出了本质主义的牢笼,呈现出可变性和多样性的特征。本部分同时指出,希尼研究虽对希尼的身份与所处地域之间的关系进行过分析,但对于身份的空间批评目前尚未出现。因而,该研究以希尼整体的诗歌创作为例,考察希尼在不同空间中对身份的寻求,并指出希尼不同身份特征的形成很大程度上取决于他的空间意识。本文作者认为,爱德华.索亚从后现代主义的“第三空间”视角对身份的解读,和迈克.克朗的空间批评理论能帮助阐释希尼在北爱尔兰和英国两种对立的文化空间中,在北爱暴力冲突高涨的政治空间中以及在诗人走上国际化舞台后对身份的探寻之旅。根据索亚的理论,身份不是一成不变的,而是随着特定的历史、地理和文化不断的添加新的内容,呈现新的状态。而克朗指出,在文学作品中,由于不同文化力量和历史事件的相互作用,地理景观,地域和空间同样能够在文本之内建构起多重的文化内涵。两种理论的有效结合,可以更好的探究希尼诗歌文本中身份在乡村空间、历史空间、现实空间、政治空间、语言空间和心理空间中的建构历程。本文的主体划分为三部分：第一章的三小节主要讨论了身份在乡村空间和语言空间中所取得的定位和超越。希尼家乡德里郡的乡村景观和地理分布建构了他身份最初的二异状态,由于求学原因,在乡村与城市之间的空间位移促成了他对身份的再思考：身份是一种继承,同时又是不断的超越。乡村生活中的众多空间意象,如：家园,田地,树林,水泵,井,黑暗的中心等都成为希尼表征身份非固定性的空间形式。在诗歌内在空间的探索中,希尼将英语和爱尔兰语所构成的中心与边缘的二元空间的对立关系打破,构成两种语言共存,甚至多种语言形式存在的全新空间格局。这从另一方面表征了他对身份所持的开放和包容态度。第二章的三小节主要分析了在北爱尔兰政治空间中身份的困境。沼泽地象征了北爱尔兰的历史和现实境遇,也成为了希尼身份困境的空间所在。在希尼被放逐和回归的旅程中,贝尔法斯特被喻为艺术的不毛之地,格兰莫尔是具有繁殖和生长能力的空间,是诗人诗歌生命的理想之地,都柏林是包容历史和现实,多种文化和多种身份共存的社会空间,也成为诗人回归的首选之地。斯特森岛的幻想旅程是诗人的一次身份朝圣,内心忏悔,对话,争议齐集于此,最终朝圣之旅的完成即标志着诗人摆脱约束,重新选择身份的开始。第三章的三小节阐释诗人在现实与想象之间创造了身份的和谐空间。地狱和现世之间的游走,使诗人摆脱了死亡的恐惧,并坚定了诗人探寻永恒诗歌生命的道路。暴力场景和宁静的乡村生活画面的并置和反转,表现了诗人意欲在诗歌文本之内构建世界的平衡与和谐的努力。对自然的书写和融于其中的强烈愿望,体现了诗人独立于喧嚣世界之外的意图和选择。由此,在各种空间元素的交错与融合中,希尼诗人的身份得到了进一步的阐释。总之,身份的体现是一个复杂的,动态的过程。在希尼的诗歌文本中,通过运用空间分析,能够探索和阐释希尼在不同空间当中,身份的归属和定位。需要指出的是,在对身份的空间阐释当中,希尼始终在为身份寻求一片开放之地,为身份的转变和多样构成创设空间,使得身份在空间的转换当中,不断获得新的内容。
[Abstract]:This article explains the premise, value and goal of this study in the introduction part. First, it points out that identity problem is a hot spot of concern in cultural research, and it has also become a new field of space research. This section also points out that the study of the identity of Syney has not yet appeared, although he has analyzed the relationship between the identity and the region of his identity, and therefore, the study takes the holistic poetic creation of the Syney as an example to examine the search for identity in different spaces. The author argues that Edward Sawyer's interpretation of identity from the "third space" perspective of postmodernism and Mike Kron's theory of space criticism can help explain the two opposing cultural spaces in Northern Ireland and Britain. In the political space of the violent conflict in northern love and the quest for identity after the poet's step on the international stage, according to Sao's theory, the identity is not invariable, but with the constant addition of new content with the particular history, geography and culture, and Kron points out that in literary works, because of no The interaction of cultural forces and historical events, geographical landscapes, regions and spaces can also construct multiple cultural connotations within the text. The effective combination of the two theories can better explore the construction of identity in the text of the poetry of the hill country in rural space, historical space, real space, political space, language space and psychological space. The course of construction.
The main body of this article is divided into three parts:
The three section of the first chapter mainly discusses the position and Transcendence of identity in the rural space and the language space. The rural landscape and geographical distribution of dill County, the hometown of sill, constructed his original two different status. The spatial shift between the countryside and the city led to his rethinking of identity because of the reason for the study: the identity is the identity. A variety of space images in rural life, such as homes, fields, trees, pumps, wells, and dark centers, all become the unfixed spatial forms of identity. In the exploration of the inner space of the poetry, the two yuan space of the center and the edge of the English and Irish languages. The breaking of the relation of opposites constitutes the new spatial pattern of the coexistence of two languages, even in many languages, which, on the other hand, represents his open and inclusive attitude to identity.
The three section of the second chapter mainly analyzes the dilemma of identity in the political space of Northern Ireland. The marsh symbolizes the historical and realistic situation of Northern Ireland, and is the space for Pauusini's identity dilemma. In the journey of Pauusini's exile and return, Belfast is regarded as a barbarism of art. The space of the growth ability is the ideal place for the poet's life. Dublin is a social space that contains history and reality, many cultures and various identities coexist, and it has also become the first choice for the poet's return. The fantasy journey of the island is a pilgrimage of the poet's identity, confession, dialogue, and controversy in this, the final pilgrimage. Completion marks the beginning of a poet's freedom from constraints and his re selection of status.
The three sections of the third chapter explain that the poet created a harmonious space between reality and imagination. The wandering between hell and the present world makes the poet get rid of the fear of death and resolute the way the poet seeks the life of the eternal poetry. The juxtaposition and reversal of the scene of violence and the peaceful country life shows the poet's desire in poetry. The efforts to build a world's balance and harmony within the world. The strong desire for writing and blending of nature embodies the intention and choice of the poet to be independent of the hustle and bustle of the world. Thus, the identity of the poets is further explained in the interlacing and blending of various space elements.
In sum, the embodiment of identity is a complex and dynamic process. In his poetry text, through the use of spatial analysis, he can explore and explain the identity and location of the identity in different spaces. It is necessary to point out that in the spatial interpretation of identity, he always seeks an open place for identity in his identity. Transformation and diversity constitute the creation of space, so that identity in the transformation of space, and constantly get new content.

【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I562.072

【参考文献】