探析庞德诗歌的诗学来源

发布时间：2018-06-07 02:05

本文选题：庞德 + 诗歌　；参考：《中国石油大学(华东)》2014年硕士论文

【摘要】：埃兹拉·庞德(Ezra Pound,1885-1972)是美国现代诗歌的巨匠,也是著名的翻译家和批评家,他倡导的意象派运动揭开了英美现代主义诗歌的序幕,为当时死气沉沉、萎靡不振的诗坛注入了新的活力。他以全新的理念创立了美国意象派,开辟了美国现代新诗之路,创立了一种新的独特的诗学理论,为二十世纪以来的西方现代文学革命注入了勃勃生机。毫不夸张地说,西方现代的诗学理论很大程度上是指庞德的诗学理论,意象派三原则影响着许多现代派诗人的创作,开启了诗歌的现代化进程。二十世纪全球经济政治的快速发展带动文化间的交往与借鉴,东西方诗学的借鉴也不例外,西方古典诗学侧重强调理性,中国古典诗学侧重强调感性,西方现代诗学是以庞德为代表的西方现代派诗人们综合东西方的诗学理论,不只从希腊经典传统中寻找灵感,还把诗歌创作的疆界推向更遥远的时空,以寻求新的诗歌源泉,并创造性地融入自己的诗歌创作中,为世界文学宝库留下了大量令人称颂的诗篇。本论文旨在探索庞德诗歌的诗学来源。庞德一生作品颇丰,其诗歌理论与思想主要体现在《诗章》中。他的作品主要可以分成四个阶段,分别是早期的诗歌,早期的《诗章》,中期的《诗章》和后期的《诗章》。论文主要通过从诗学的角度分析庞德不同阶段的诗歌,来研究探索此阶段所体现的诗学思想,进一步探求其诗学思想的源泉,从而推断出庞德诗歌创作的诗学来源。论文主要分为六章,第一章介绍庞德的生平及作品。第二章介绍中西方的古典诗学及诗学的发展。第三章关于西方现代派诗学及庞德诗学。第四章概括庞德不同阶段诗歌的诗学思想。第五章则进行深一步分析其诗学思想在不同阶段的诗学来源。第六章论文得出结论,在早期的诗歌中庞德借鉴中国古典诗学中的“意象美”“简洁美”及“韵律美”,也借鉴了日本诗学中俳句简洁工整的特点;在后期的《诗章》中庞德的诗学思想来源主要集中在日本的能剧及中国儒家思想的影响。庞德不只从西方古典传统中吸收营养,还从东方文化特别是中国及日本诗学中寻找灵感,使更多的西方人了解东方,为“东学西渐”做出了巨大的贡献。
[Abstract]:Ezra pound Poundn (1885-1972) is a great master of modern American poetry and a famous translator and critic. His imagist movement opened the prologue of British and American modernist poetry and was dead at that time. The lacklustre world of poetry has given new life to it. He founded American Imagism with new ideas, opened up the road of modern American poetry, created a new and unique poetic theory, and injected vitality into the western modern literary revolution since the 20th century. It is no exaggeration to say that the western modern poetics theory to a large extent refers to pound's poetics theory. The three principles of imagism influence the creation of many modernist poets and open the process of poetry modernization. The rapid development of global economy and politics in the 20th century led to the interaction and reference between cultures, and the reference of East and West poetics was no exception. Western classical poetics emphasized rationality, Chinese classical poetics emphasized sensibility. Western modern poetics, represented by pound, integrates the poetic theories of the East and the West. It not only seeks inspiration from the classical Greek tradition, but also pushes the boundary of poetry creation to a more distant time and space in order to seek new poetic sources. And creatively integrated into his own poetry, leaving a great deal of praises for the treasure house of world literature. The purpose of this thesis is to explore the poetics source of pound's poetry. Pound's works are abundant in his life, and his poetic theory and thought are mainly embodied in the Book of Poetry. His works can be divided into four stages: early poetry, middle poetry and later poetry. By analyzing pound's poetry in different stages from the perspective of poetics, this paper studies and explores the poetics thought embodied in this stage, and further explores the source of his poetic thought, thus deducing the poetics source of pound's poetry creation. The first chapter introduces pound's life and works. The second chapter introduces the classical poetics and the development of poetics in China and the West. The third chapter is about western modernist poetics and pound poetics. Chapter four summarizes pound's poetic thoughts in different stages. The fifth chapter analyzes the poetics origin in different stages. The sixth chapter draws a conclusion that in his early poems pound drew lessons from the "beauty of image" and "beauty of rhythm" in classical Chinese poetics, and also drew lessons from the features of simplicity and neatness of haiku in Japanese poetics. In the latter part of Poems, pound's poetics was mainly derived from Japanese drama and the influence of Chinese Confucianism. Pound not only absorbed nutrition from western classical tradition, but also sought inspiration from oriental culture, especially from Chinese and Japanese poetics, so that more westerners understood the east and made great contributions to "learning from east and learning from west".
【学位授予单位】：中国石油大学(华东)
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I712.072

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