视觉环境下具体诗的功能分析

发布时间：2018-06-28 16:26

本文选题：具体诗 + 视觉环境　；参考：《江南大学》2012年硕士论文

【摘要】：具体诗是融传统诗歌、现代科技或其它艺术形式于一体的产物。它以图形、颜色、印刷版式等几种副语言因素为手段,立足于文字的基本表意能力,充分凸显了诗歌的张力。然而,针对具体诗的技术性因素和视觉性特点,国内外学者纷纷提出了不同的见解。人们或是从文学角度关注到具体诗的意境消融和诗性缺失,他们往往认为具体诗无法激发读者的想象力,因而贬低其文学价值。可是他们却忽略了其中的图像等视觉因素对诗歌意境的表现作用,没有认识到诗中的视觉元素同样让读者产生文化联想,也有其话语意义。因而,也就不能给予具体诗一个正确的文学地位。或是借助变异理论对具体诗中的图像和其它一些副语言因素进行语相变异分析。诚然,这肯定了具体诗的表意的多样性,却对产生该变异的内在动力以及如何解读其中的技术性因素的文化意义,不能给出令人信服的回答。相对而言,人们从语言学角度出发来研究具体诗,取得了较大成果。其中,可以借助系统功能语法理论对它的副语言因素进行功能分析,探讨其中的视觉因素的纯理功能,也可以以认知理论为依据对其象似性进行研究,对视觉因素表意的可行性和读者的心理认知机制进行了分析。然而,这些理论和分析对具体诗中的视觉因素的一般性表意方式及对其文化意义解读均未作出较为系统的阐述。 20世纪50年代Harris提出的话语分析理论,可以对各种话语(或语篇)的表现形式,如图像、颜色、印刷版式和构图等话语形式进行了客观而全面的分析,尤其是20世纪90年代该领域中兴起的多模态话语分析理论更为信息时代下形式多样的话语分析提供了有力的理论工具。具体诗作为其中一种多模态话语形式,因其中包含的科技元素,使得该理论对其具有适用性。本文针对具体诗的技术性和视觉性特征,借助符号学和功能语言学,特别是多模态话语分析理论为依据,仔细地分析了其中的图像、颜色、印刷版式和布局排版在诗歌各自的情态意义,对它们进行了功能解读,力图挖掘出其文化含义和社会意义。在此基础上,从元功能角度对视觉话语中的各模态进行了意义整合和构建,提出了对视觉话语解读的一般方法方法,指出对具体诗要全面而客观的了解就必须要对其中的各种模态分析,并对它们进行了资源整合和意义构建。在本研究中,结合功能语法和社会符号学理论可以发现具体诗中的各种副语言手段都是有一定的文化和社会意义的,对这类诗歌的意义资源整合也可以借助元功能、资源群等多种方法来实现的,因而具体诗的创作和解读也是有规律可循的。因此,本研究对未来的具体诗的创作和解读或许能提供一些经验或模式。
[Abstract]:Concrete poetry is the product of integrating traditional poetry, modern science and technology or other artistic forms. It is based on the basic ideographic ability of the text and fully highlights the tension of poetry by means of several paralanguage factors such as figure, color, print type and so on. However, according to the technical factors and visual characteristics of specific poetry, scholars at home and abroad have put forward different views. From the literary point of view, people pay attention to the disappearance of the artistic conception and the lack of poetic quality of specific poems. They often think that concrete poems can not arouse the readers' imagination and thus degrade their literary value. However, they ignore the effect of visual factors, such as images, on poetic artistic conception, and fail to realize that the visual elements in poetry also make readers have cultural associations and discourse meanings. Therefore, it is impossible to give specific poetry a correct literary status. Or with the help of variation theory, we analyze the morphologic variation of images and other paralanguage factors in specific poems. It is true that this affirms the diversity of the ideographic meanings of the specific poems, but it does not give a convincing answer to the intrinsic motive force that gave rise to the variation and how to interpret the cultural significance of the technical factors involved. Comparatively speaking, people have made great achievements in the study of specific poems from the linguistic point of view. Among them, the functional analysis of its paralanguage factors can be carried out with the help of the theory of systemic functional grammar, and the pure theoretical functions of the visual factors can be discussed, and the iconicity can also be studied on the basis of cognitive theory. This paper analyzes the feasibility of visual factors and the psychological cognitive mechanism of readers. However, these theories and analyses have not systematically expounded the general ideographic ways of visual factors in specific poems and the interpretation of their cultural meaning. The discourse analysis theory put forward by Harris in the 1950s. It is possible to make an objective and comprehensive analysis of the forms of discourse (or discourse), such as image, color, print and composition. In particular, the multi-modal discourse analysis theory, which rose in the 1990s, provides a powerful theoretical tool for discourse analysis in various forms in the information age. As one of the multi-modal discourse forms, concrete poetry contains scientific and technological elements, which makes the theory applicable to it. According to the technical and visual features of the poems, this paper, based on the semiotics and functional linguistics, especially the theory of multimodal discourse analysis, carefully analyzes the images and colors of the poems. In order to find out the cultural meaning and social significance, this paper interprets the modal meaning of print type and layout typesetting in poetry. On this basis, from the perspective of metafunctions, the meaning of the modes of visual discourse is integrated and constructed, and a general method of interpretation of visual discourse is put forward. It is pointed out that in order to have a comprehensive and objective understanding of specific poems, all kinds of modal analysis must be carried out, and the resource integration and meaning construction are carried out. In this study, combining functional grammar and social semiotics theory, we can find that all kinds of paralinguistic means in specific poems have certain cultural and social significance, and the integration of meaning resources of these poems can also help with metafunctions. Resources groups and other methods to achieve, so the creation and interpretation of specific poetry is also regular. Therefore, this study may provide some experience or model for the creation and interpretation of specific poems in the future.
【学位授予单位】：江南大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I106.2

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