汉剧对明清传奇剧目的继承与发展研究

发布时间：2018-03-03 14:13

本文选题：汉剧　切入点：传奇　出处：《湖北大学》2011年硕士论文　论文类型：学位论文

【摘要】：本论文围绕“汉剧对明清传奇剧目的继承与发展”这一论题展开。第一部分是关于汉剧剧目的发展状况和现存剧本情况的概述。汉剧剧目的发展分为四个重要的历史时期：1、汉剧诞生之初到辛亥革命前；2、辛亥革命到新中国成立；3、新中国成立到文革结束；4、文革结束至今。经过这四个时期的发展,汉剧剧目已经丰富多彩,但限于历史的原因,历次的整理资料并不完备,有些资料遗失或未见,关于汉剧剧目的数量,我们目前尚无法给予一个确切的数字。关于汉剧的剧本,目前可看到的有400种之多。其中,有同题材明清传奇作品在先的剧目有100种,这为我们研究汉剧对明清传奇剧目的继承与发展提供了可能性。第二部分探讨汉剧对明清传奇剧目的继承情况。汉剧对明清传奇剧目的继承,主要体现在对活跃在当时戏曲舞台上的清宫廷大戏与折子戏剧目的继承上。从中可以看出,汉剧对传奇剧目的继承,并不是立身于案头,对传奇整个剧本的修改截选,而是通过舞台,在艺人与艺人、艺人与剧目的交流互动中进行。第三部分探讨汉剧对明清传奇剧目的发展情况。汉剧对明清传奇剧目的发展,主要体现在对武戏的发展、对折子戏剧目的发展和十大行当的代表剧目上,这是就剧目本身的发展所做的研究。汉剧对明清传奇剧目的发展改编,使二者表现出不同的特点。第四部分即是以《一捧雪》为例,具体分析这二者的不同特点。通过比较发现,二者在叙事风格、审美精神和情感体验等方面都表现出不同的特点。而这种发展的趋向和表现出的不同特点,正是为适应观众而作出的选择。
[Abstract]:This thesis revolves around the topic of "inheritance and development of Han opera to the legendary repertoire of Ming and Qing dynasties". The first part is an overview of the development of Han opera repertoire and the existing script situation. The development of Han opera repertoire is divided into four important parts. Historical period 1: 1, from the beginning of the birth of Han opera to before the Revolution of 1911, from the Revolution of 1911 to the founding of New China, from the founding of New China to the end of the Cultural Revolution and from the end of the Cultural Revolution to now. After these four periods of development, The repertoire of Han opera has been rich and colorful, but limited to historical reasons, the collation of successive materials is not complete. Some of the materials have been lost or not seen. At present, we are unable to give an exact number on the number of plays in Han dramas. At present, there are as many as 400 kinds of plays that can be seen. Among them, there are 100 kinds of dramas with the same theme as the legendary works of the Ming and Qing dynasties. This provides the possibility for us to study the inheritance and development of Han dramas to the legendary repertoire of Ming and Qing dynasties. The second part discusses the succession of Han dramas to the legendary dramas of Ming and Qing dynasties, and the inheritance of Han dramas to the legendary plays of Ming and Qing dynasties. This is mainly reflected in the succession of the Qing court grand opera and the Xianzi opera repertoire, which were active on the stage of the opera at that time. From this, we can see that the Han opera's succession to the legendary repertoire is not a matter of standing on the desk, and the amendment of the entire legendary play is cut off. The third part discusses the development of Han opera to the legendary repertoire of Ming and Qing dynasties. The development of Han opera to the legendary repertoire of Ming and Qing dynasties is mainly reflected in the development of martial arts. This is a study of the development of the repertoire itself and of the representative repertoire of the ten major professions. The development and adaptation of the legendary repertoire of the Ming and Qing dynasties by Han dramas, The 4th part is a case study of "A Pot of Snow" to analyze the different characteristics of the two. Through comparison, it is found that the two are in the narrative style. The aesthetic spirit and emotional experience show different characteristics, and the development trend and the different characteristics are the choices to adapt to the audience.
【学位授予单位】：湖北大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：I207.36;J825

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