歌剧《参孙与达丽拉》中的达丽拉和她的三首咏叹调

发布时间：2018-04-08 19:28

本文选题：圣-桑　切入点：《参孙与达丽拉》　出处：《河南大学》2009年硕士论文

【摘要】： “达丽拉”是圣-桑在歌剧《参孙与达丽拉》中塑造的歌剧形象,也是闻名世界的经典歌剧形象之一。本文从戏剧和歌剧创作的角度出发,对达丽拉这一人物设置的必要性提出了自己的见解,并结合剧情对达丽拉人物形象的性格特征进行了分析,在此基础上结合达丽拉的三首咏叹调的音乐分析,具体论述在演绎达丽拉这两首咏叹调时“唱”和“演”两方面所需注意的问题。第一部分,从三个方面论述设置达丽拉这一角色的必要性,然后按剧情展开顺序对达丽拉这一角色的性格特征进行分析。第二部分,达丽拉的两首咏叹调从曲式结构、调式调性、旋律发展的手法和特点、和声配置等几个方面进行了较为详细的音乐分析。第三部分,主要论述了演唱达丽拉的两首咏叹调需从演唱的呼吸、情绪把握、舞台表演三个方面注意的问题。
[Abstract]:"Daryl" is the opera image of Saint-Sang in the opera "Samson and Darlla", and one of the most famous classic operas all over the world.From the point of view of drama and opera creation, this paper puts forward his own opinion on the necessity of setting up the character of the character, and analyzes the character characteristics of the character of the character of the character with the plot.On the basis of this, combining with the music analysis of three arias of Dalila, this paper discusses the problems needing attention in the two aspects of "singing" and "acting" in the interpretation of these two arias.In the first part, the author discusses the necessity of setting up the character of Dalila from three aspects, and then analyzes the character characteristics of the character of the character in the sequence of plot development.In the second part, the two arias of Dalila are analyzed in detail from the aspects of musical structure, tonality, melody development techniques and characteristics, harmony configuration and so on.In the third part, the author mainly discusses the problems that should be paid attention to from the aspects of singing breath, emotion grasp and stage performance.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J832

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