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谈“梅派”演唱中音质和气质的统一

发布时间:2018-10-24 13:13
【摘要】:"梅派"的演唱艺术是其表演体系的重要组成部份,甜美圆润、饱满浑厚的音质与不温不火、落落大方的气质协调统一,注重通过头腔、口腔、胸腔共鸣的三位一体,演绎流丽酣畅、优美动人的声腔与碎中求整、闲处生神的意境。戏曲演员不可因扩音技术的日益发达而忽视唱功,尤应重视变声期间的养护与训练,结合自身条件,努力提升气息与声音的配合水平,认真研究总结前辈气沉丹田、声贯于顶的演唱方法,以期更加持久的艺术生命。
[Abstract]:The singing art of "Mei Pai" is an important part of its performance system. It is sweet and round, full of sound quality and not warm and not hot, and its elegant temperament is harmonious and unified. It pays attention to the trinity of resonating through the head cavity, mouth cavity and chest cavity. Deductive Liu Li sound smooth, beautiful and moving voice and broken in the integrity, idle place to create the artistic conception of God. Opera actors should not neglect their singing skills because of the increasing development of sound amplification technology. They should pay particular attention to the maintenance and training during the period of changing sound, combine their own conditions, strive to raise the level of cooperation between breath and sound, and seriously study and sum up the former generation's Qi Shen Dantian. The singing method of singing through to the top, with a view to a more lasting artistic life.
【作者单位】: 中国戏曲学院京剧系;
【基金】:“北京戏曲文化传承与发展基地”研究项目成果
【分类号】:J617.1


本文编号:2291512

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