《死神的歌与舞》新篇——萧斯塔科维奇《第十四交响曲》

发布时间：2018-04-10 23:16

本文选题：《第十四交响曲》 + 《萧斯塔科维奇回忆录》　；参考：《中央音乐学院学报》2008年01期

【摘要】：萧斯塔科维奇的《第十四交响曲》是他最悲剧性的作品。1974年在纽约出版的《见证——萧斯塔科维奇回忆录》一书所提供的私下谈话录将萧氏创作《第十四交响曲》的种种思考和意图坦率地和盘托出了。这部作品完全不保留传统的交响乐套曲的结构,其乐章有十一个之多;交响曲是以无调性和多调性写成的,接近于萧氏的室内乐。在作品中,萧氏虽潜入了十二音序列的"禁区",但其对十二音序列的运用只是音乐语言的局部,而非全体,并且主要限于旋律线条上。作为一部器乐与声乐相结合的交响曲,作品中采用了洛尔卡、阿波利奈尔、里尔克、丘赫尔贝凯尔的诗篇,歌词的安排与套曲的结构具有艺术上的逻辑性。
[Abstract]:Sowstakovich's Symphony No. 14 is his most tragic work. The private conversation provided in the book Witness-the memoirs of Shawstakovich, published in New York in 1974, will lead Shaw to write < Symphony 14The various thoughts and intentions of theThis work does not retain the structure of the traditional symphony ensemble, its movement has as many as eleven; the symphony is composed of non-tonality and polytony, close to Xiao's chamber music.In his works, Xiao sneaks into the "forbidden zone" of the 12-tone sequence, but the use of the 12-tone sequence is only part of the musical language, not all, and is mainly confined to the melody line.As a symphony of instrumental music and vocal music, the poems of Lorca, Apolinaire, Rilke and Chew Helbekal are adopted. The arrangement of the lyrics and the structure of the ensemble have an artistic logic.
【作者单位】：
【分类号】：J647.611

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