改革开放以来的“中国艺术学”研究:困境与突破

发布时间：2018-01-08 06:14

本文关键词：改革开放以来的“中国艺术学”研究:困境与突破　出处：《社会科学辑刊》2009年01期 　论文类型：期刊论文

【摘要】：中国艺术历史悠久,艺术门类众多,艺术成就辉煌,艺术精神独特,而且中国艺术形态在当代仍具有很强生命力,专门研究它的中国艺术学理应在中国当代的艺术学科体系中占据一席之地。改革开放以来,中国艺术学的研究视角主要有三个:一是作为一种国别视角的中国艺术学,二是作为一种类型研究的中国艺术学,三是作为一种学科体系的中国艺术学。但由于对于中国艺术学的基本内涵、学科性质、研究领域和研究目标仍未明确,实际上也造成了这门学科发展乏力。中国艺术学应作为独特研究类型而融入现代艺术学学科体系,从研究对象上它不仅要注重传统,更应面向本土现有的艺术实践,而且应作为一门具有"现代形态"的交叉学科而综合运用多学科研究方法,建立与其他艺术学学科和相关人文社会科学的交流对话体系
[Abstract]:Chinese art has a long history, numerous categories of art, brilliant artistic achievements, unique artistic spirit, and Chinese art form still has a strong vitality in the contemporary era. Chinese art, which specializes in it, should occupy a place in the contemporary Chinese art discipline system. Since the reform and opening up. There are three perspectives in the study of Chinese art: one is Chinese art as a national perspective, the other is Chinese art as a type of study. The third is Chinese art as a discipline system, but because of the basic connotation of Chinese art, the nature of the subject, the research field and research goals are still unclear. In fact, it also causes the lack of development of the subject. As a unique type of research, Chinese art should be integrated into the subject system of modern art. From the object of study, it should not only pay attention to the tradition. It should be oriented to the local art practice, and should be a "modern form" of the cross-discipline and comprehensive use of multidisciplinary research methods. Establish a system of exchange and dialogue with other subjects of art and related humanities and social sciences
【作者单位】：北京师范大学艺术与传媒学院艺术学系;
【基金】：国家社会科学基金重大课题(07&ZD037)
【分类号】：J12-4
【正文快照】： “中国艺术学”是新时期以来受到人们关注的一个学术范畴。作为一个新兴的交叉学科,当前它的发展正处于一个比较关键的时期,中国艺术学在中西对话交流体系、传统与现代话语转换和现代大学教育模式的框架内正艰难地确立自我的主体地位,这一过程充满着迷茫困惑和纷纭众说,从根

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