论文学之势

发布时间：2018-01-24 23:49

本文关键词： 势文学形式语言意象　出处：《山东师范大学》2004年硕士论文　论文类型：学位论文

【摘要】：势是中国古代哲学、美学和艺术领域中的重要范畴之一。当前学术界对势的研究论著已经很多，但主要的研究集中在哲学领域。对作为艺术美学范畴存在的势的研究相对薄弱，对文学之势涉及很少。已有的对文学之势的论述，存在着明显的不足。基本上把势当作一个已然的概念运用，缺乏深入的探讨，而且对文学之势的特征仍停留在描述的层面上。本文的中心就是结合中国古代文学创作的实践和理论把势这一范畴阐释清楚。以求某种程度上弥补当前学术界对势的研究中的薄弱之处。一、导言。对当前学术界对势的研究的实际情况做出基本的评价，由此引出本文所要研究的问题。先进行大文化的分析，从中国古代独特的哲学文化背景出发，探讨势的内涵和社会思想文化生成机制。再从文学创作和理论实际出发探讨势在文学艺术中的显现机制和具体的表现形态等问题。二、正文。本文分四个部分进行探讨。 (一) 势的内涵及文化阐释。从势这一思想的渊源出发，由社会政治领域中的势的内涵引申到文学艺术之势的内涵，把势为何物确切得弄明白。并进一步从形式结构因素、哲学文化背景和心理思维等三个方面分析势为什么在中国古代这一文化背景中产生。为下文的进一步分析作铺垫。 (二) 从非文学之势到文学之势。势从哲学社会领域过渡到美学艺术领域中，，最先是从书法和绘画开始的，这部分的中心就是分析势是如何从书法绘画等艺术门类转化为一个文学理论范畴的。文学之势区别于书法绘画之势的关键在于形式和语言的差异。文学借助语言表现势，达到书法、绘画等视觉艺术在势的表现上诉诸于形式的共同机制。 (三) 文学之势的存在形态、审美特征及现代阐释。这是本文的中心。首先，以文学之势的历史存在形态为主，兼顾其逻辑形态，来探讨其在古代的存在事实。其次，探讨文学之势对语言、结构和意象的处理以及势的时空表现等问题。最后，结合现代格式塔理论对势做出现代的阐释，以弥补中国古代文论存在的含混、模糊的缺陷。 (四) 文学之势的价值。在古代文学创作的实践和理论发展中，文学之势的中文擂名卜价值主要表现在它规范文学的语言形式和艺术风格。随着文学艺术的发展，势的表现发生了擅变，这符合了文化和文学实际的发展，并在当代具有了发展的可能性和价值。总之，通过以上的分析最大可能的把文学之势的内涵、存在形态、显现机制等问题阐释明白。
[Abstract]:Potential is one of the important categories in the field of philosophy, aesthetics and art in ancient China. But the main research is focused on the field of philosophy. The study of the potential as the category of art aesthetics is relatively weak, and there are few references to the trend of literature. There are obvious shortcomings. Basically regard the potential as an already used concept, lack of in-depth discussion. The core of this paper is to expound the category of potential in the light of the practice and theory of ancient Chinese literature creation, in order to make up for the current academic circle to some extent. Weaknesses in the study of potential. First, introduction. To make a basic evaluation of the actual situation of the current academic research on the potential, which leads to the problems to be studied in this paper. From the ancient Chinese unique philosophical and cultural background. This paper probes into the connotation of potential and the forming mechanism of social ideology and culture, and then from the perspective of literary creation and theoretical practice, probes into the manifestation mechanism and concrete forms of expression of potential in literature and art. Second, the text. This paper is divided into four parts to discuss. (1) the connotation of potential and its cultural interpretation. From the origin of the thought of potential, the connotation of potential in the field of social politics is extended to the connotation of the trend of literature and art. Understand exactly what the potential is and go further from the formal structure factor. The philosophical cultural background and the psychological thinking are the three aspects of the analysis of why this cultural background of ancient China emerged, which lays the groundwork for further analysis below. (2) from the tendency of non-literature to the trend of literature, the tendency from the field of philosophy and society to the field of aesthetics and art begins with calligraphy and painting. The center of this part is to analyze how the trend is transformed from calligraphy and painting into a category of literary theory. The key to the difference between literary potential and calligraphy and painting lies in the difference between form and language. Literature relies on language. Performance. To achieve calligraphy, painting and other visual arts in the performance of the situation resort to the form of a common mechanism. (3) the existence form, aesthetic characteristic and modern explanation of literature's potential. This is the center of this paper. To explore its existence in ancient facts. Secondly, to explore the potential of literature on language, structure and image, as well as the space-time performance of potential and other issues. Finally, combined with modern Gestalt theory to make a modern interpretation of potential. In order to make up for the ancient Chinese literary theory of ambiguity, fuzzy defects. (4) the value of literary power. In the practice and theoretical development of ancient literary creation, the tendency of literature The name of the Chinese trumpet The value is mainly manifested in its standard language form and artistic style of literature. With the development of literature and art, Performance has changed, which is in line with the actual development of culture and literature, and has the possibility of development in the contemporary era. Sex and value In a word, through the above analysis, the intension, the form of existence, and the mechanism of manifestation of literary tendency are most likely to be put forward. To explain the problem clearly.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：I0

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