意境的现代阐释

发布时间：2018-05-03 05:10

本文选题：意境 + 发生　；参考：《浙江大学》2005年博士论文

【摘要】：本论文以梳理“意境”概念的发生、发展、演变脉络为起点,通过比较、对照“意境”的各种阐释之间的联系与区别,展开论述“意境”研究的现代发展与“意境”阐释的现代深化,探索“意境”的多元内涵与审美特征。第一章旨在从史学的角度梳理“意境”概念的发展史,这一章以“结胎与孕育”、“汲养与催化”、“分娩与命名”为主线,勾勒“意境”概念形成的主要脉络。“意境”的含混性与多元性给后人的阐释提供了多向度的可能。第二、三两章构成本论文的主要部分。第二章着重研究意境范畴的现代发展,主要从传播学、文艺学、心理学、符号学的维度展开具体研究。该章的第一节分析与比较了古代意境史料与近现代意境研究在传播学意义上的不同效果,论述王国维、李泽厚、宗白华等“意见领袖”在意境传播链上的重要作用,在本论文结构中具有承上启下的作用。第三章着重透视意境理论的现代阐述,主要从生命哲学、接受美学、现象学、文化学的维度展开论述。这一章既是对第二章的多元拓展,也是对意境研究的深入与探索,中西比较、古今对照的维度在这一章里更为明显,并一步步突破传统意境论的古典维度、艺术维度、作者维度,融入当代意境论的生命哲学维度、接受美学维度、现象学、文化学、人类学的维度。意境存在于我们的体验中,恍惚幽冥,生生不已,我们置身于意境的生成之中。第四章聚集于意境研究的众多争议之处,辨析意境被视为古典理想与现代追求、佛学境界与诗学概论、民族话语与世界范畴的立场争论的各自理论依据及其利弊得失。余论“说不完的‘意境’”,包含了我对于几年来对意境领域的关注、思考、研究的简要总结,也包含了我对于意境阐释没有定论的坦诚告白:意境是难的,无法界定,不可穷尽。
[Abstract]:This thesis starts with combing the occurrence, development and evolution of the concept of "artistic conception", and contrasts the relationship and difference between the various interpretations of "artistic conception". This paper discusses the modern development of the study of "artistic conception" and the modern deepening of the interpretation of "artistic conception", and explores the multiple connotations and aesthetic characteristics of "artistic conception". The first chapter aims at combing the history of the concept of "artistic conception" from the perspective of historiography. This chapter takes "stillbirth and gestation", "nourishing and catalyzing", "delivery and naming" as the main thread, and outlines the main context of the formation of the concept of "artistic conception". The ambiguity and multiplicity of artistic conception provide the possibility of multi-direction for the interpretation of later generations. Second, three or two chapters constitute the main part of this paper. The second chapter focuses on the modern development of artistic conception, mainly from the aspects of communication, literature and art, psychology and semiotics. The first section of this chapter analyzes and compares the different effects of the ancient artistic conception historical data and the modern artistic conception research in the communication meaning, and discusses the important role of "opinion leaders", such as Wang Guowei, Li Zehou, Zong Baihua, in the artistic conception communication chain. In the structure of this paper has the role of connecting the preceding and the following. Chapter three focuses on the modern elaboration of artistic conception theory, mainly from the dimensions of life philosophy, reception aesthetics, phenomenology and culturology. This chapter is not only the multi-expansion of the second chapter, but also the depth and exploration of the artistic conception research. Compared with the Chinese and Western, the dimension of ancient and modern contrast is more obvious in this chapter, and step by step breaks through the classical dimension and the artistic dimension of the traditional artistic conception theory. The author dimension, the life philosophy dimension, the reception aesthetics dimension, the phenomenology dimension, the cultural science dimension, the anthropology dimension. Artistic conception exists in our experience, trance, living and living, we are in the creation of artistic conception. The fourth chapter focuses on the controversy in the study of artistic conception, discriminating that the artistic conception is regarded as the classical ideal and modern pursuit, the Buddhist realm and the introduction of poetics, the respective theoretical basis, the pros and cons of the argument between the national discourse and the world category. The "untold 'artistic conception'" includes a brief summary of my concern, thinking, and research in the field of artistic conception over the past few years, as well as my candid confession that there is no conclusive conclusion on the interpretation of artistic conception: artistic conception is difficult and cannot be defined. There is no end to it.
【学位授予单位】：浙江大学
【学位级别】：博士
【学位授予年份】：2005
【分类号】：I01

【引证文献】