试论现代媒介艺术
发布时间：2018-10-17 22:11
【摘要】： 现代媒介艺术是指以现代声光与电子传播技术为手段，运用艺术的审美思维，通过声像合一的现代媒介语言，在特定的媒介时空中创造鲜明的艺术形象，给受众提供综合审美享受的艺术形态。 20世纪现代媒介艺术的出现，是人类艺术史乃至文化史上的一次前所未有的革命，它极大地改变了人们创造艺术的方式，改变了艺术的审美特质，改变了文化自身的形态，甚至于改变了整个人类的生活方式。古往今来，没有一种艺术像现代媒介艺术这样深刻地影响着整个社会。无论是作为审美形态亦或作为文化形态，现代媒介艺术都已变成我们日常生活的仪式和景观。在这样的文化情境中，对现代媒介艺术进行关注、思考、探索与研究，无疑是十分必要的。 本文试图以本雅明、麦克卢汉等学者为理论资源基础，对现代媒介艺术进行综合考察，阐明媒介文化与媒介艺术之关系，分析与揭示现代媒介艺术的内涵及其主要构成形式，并从声像的全息真实、时空的电子虚拟、信息的多元兼容和接受的交汇互动四个方面思考现代媒介艺术独有的审美特质，从普适性与世俗化、娱乐性与游戏化、复制性与模式化、消费性与商业化诸层面剖析现代媒介艺术的矛盾二重性。此外，本文还就现代媒介艺术的民族化建设问题作了初步的探讨。
[Abstract]:Modern media art refers to the use of modern acousto-optic and electronic communication technology as a means, the use of artistic aesthetic thinking, through the audio-visual integration of the modern media language, in a specific media space and time to create a distinct artistic image. The appearance of modern media art in the 20th century is an unprecedented revolution in the history of human art and even in the history of culture. It has greatly changed the way people create art, the aesthetic characteristics of art, the form of culture itself, and even the way of life of mankind as a whole. Since ancient times, no art has influenced the whole society as deeply as modern media art. Whether as aesthetic form or cultural form, modern media art has become the ritual and landscape of our daily life. In such a cultural situation, it is undoubtedly necessary to pay attention to, think, explore and study modern media art. Based on the theoretical resources of Benjamin, McLuhan and other scholars, this paper attempts to make a comprehensive investigation of modern media art, clarify the relationship between media culture and media art, and analyze and reveal the connotation and main forms of modern media art. And consider the unique aesthetic characteristics of modern media art from four aspects: holographic reality of audio and video, electronic virtual of time and space, pluralistic compatibility of information and interaction of acceptance, from the aspects of universality and secularization, entertainment and gameplay. This paper analyzes the contradictory duality of modern media art from the aspects of reproduction and pattern, consumption and commercialization. In addition, this paper also makes a preliminary discussion on the nationalization of modern media art.
【学位授予单位】：安徽师范大学
【学位级别】：硕士
【学位授予年份】：2003
【分类号】：J02
本文编号：2278174
[Abstract]:Modern media art refers to the use of modern acousto-optic and electronic communication technology as a means, the use of artistic aesthetic thinking, through the audio-visual integration of the modern media language, in a specific media space and time to create a distinct artistic image. The appearance of modern media art in the 20th century is an unprecedented revolution in the history of human art and even in the history of culture. It has greatly changed the way people create art, the aesthetic characteristics of art, the form of culture itself, and even the way of life of mankind as a whole. Since ancient times, no art has influenced the whole society as deeply as modern media art. Whether as aesthetic form or cultural form, modern media art has become the ritual and landscape of our daily life. In such a cultural situation, it is undoubtedly necessary to pay attention to, think, explore and study modern media art. Based on the theoretical resources of Benjamin, McLuhan and other scholars, this paper attempts to make a comprehensive investigation of modern media art, clarify the relationship between media culture and media art, and analyze and reveal the connotation and main forms of modern media art. And consider the unique aesthetic characteristics of modern media art from four aspects: holographic reality of audio and video, electronic virtual of time and space, pluralistic compatibility of information and interaction of acceptance, from the aspects of universality and secularization, entertainment and gameplay. This paper analyzes the contradictory duality of modern media art from the aspects of reproduction and pattern, consumption and commercialization. In addition, this paper also makes a preliminary discussion on the nationalization of modern media art.
【学位授予单位】：安徽师范大学
【学位级别】：硕士
【学位授予年份】：2003
【分类号】：J02
【引证文献】
相关硕士学位论文 前1条
1 张强盛;我国电视技术进步与电视艺术嬗变[D];山东大学;2008年
，本文编号：2278174
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