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理解文学文本层面及其余衍层

发布时间:2018-11-15 20:35
【摘要】:本文拟在梳理英加登和韦勒克的文学文本层面论基础上,吸收近年媒介及修辞研究的成果,对汉语文学文本层面提出一种新划分,进而就其中余衍层作出分析。认为汉语文学文本可以有五个层面:媒型层、兴辞层、兴象层、意兴层和余衍层。余衍层是余兴与衍兴交融的层面。余兴来自读者对文本中兴味的品评,衍兴是在读者阅读中衍生的感兴。文学文本虽然可以在读者阅读中创造完整的审美自主世界,但由于读者阅读过程中感兴的触发与叠加等作用,这个审美自主世界随即会被打破而与读者的生活世界体验交融在一起。读者的理智素养会让他从这种艺术与生活交融的体验状态中走出,但这次阅读产生的余效毕竟会长留读者心中。
[Abstract]:This paper, on the basis of combing the literary theories of English Garden and Willerk, absorbs the achievements of media and rhetoric studies in recent years, puts forward a new division of the Chinese literary text level, and then analyzes the Yu Yan layer. The author thinks that there are five levels in Chinese literary texts: medium layer, Xing ci layer, Xing Xiang layer, Yi Xing layer and Yu Yan layer. Yu Yan layer is the blend of Yu Xing and Yan Xing. Yu Xing comes from the readers' comments on the interest in the text, and Yan Xing is the sense of interest derived from the reader's reading. Although literary texts can create a complete aesthetic autonomous world in readers' reading, but because of the trigger and superposition of readers' interest in the process of reading, This aesthetic autonomous world will then be broken and merged with the reader's life world experience. The reader's intellectual accomplishment will get him out of the experience of blending art and life, but the aftereffects of this reading will remain in the reader's mind.
【作者单位】: 北京师范大学文学院;
【基金】:教育部哲学社会科学研究重大课题攻关项目“西方文论中国化与中国文论建设”(项目批准号05JZD00028)阶段性成果
【分类号】:I02

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