元以前画论绘画类语词研究

发布时间：2018-04-23 01:05

本文选题：元以前画论 + 绘画类语词　；参考：《重庆师范大学》2016年硕士论文

【摘要】：本文从语言学、词汇学、语义学等角度出发,对《中国古代画论类编》元以前的画论绘画类语词进行了比较全面的梳理与分析。首先,文章整理了元以前画论绘画类语词共259个,分为三个大类。第一大类,绘画名称类157个,包括绘画相关统称27个,绘画工具材料名称19个,绘画形象名称111个;第二大类,绘画色彩类46个,包括绘画颜料色彩语词41个,绘画赋彩类语词5个;第三大类,绘画画法类56个,包括绘画技法类语词34个,绘画思想态度语词22个。其次,文章重点分类辨析了绘画名称类语词、绘画色彩类语词和绘画画法类语词。对其中语义相近、易混淆的语词进行了辨析,结合古今词义、具体的语境,分别对赤类、青类、白类以及杂色类这四组易混淆的词进行了辨析;并利用描写释义法、义素分析法,对绘画工具材料语词和技法类语词进行了进一步的辨析。并对这三大类语词的构词法、短语的结构类型进行了分析总结。再者,文章从不同的角度对绘画类语词进行了系统分析,比较了元以前各个时期的绘画类语词状况,从而探究其传承与发展。绘画类核心的基础的语词表现出稳定性与传承性;同时不断产生新的语词,丰富绘画类语汇的体系。然后对绘画类专类词语的特殊性以及与普通词语的关联性进行了探究,对其中专类词语的泛化使用进行了重点分析。最后,从聚合关系、层级组合关系的角度系统地分析了绘画类语词。绘画类语词是以“与绘画相关”这一共同性形成的聚合关系;同时又以“质的差异性”构成层级组合的关系。最后,从语言与文化的角度,窥探了元以前重色彩和重水墨、轻色彩两大类的色彩观念,以及绘画功能、形神关系等审美思想。
[Abstract]:From the perspectives of linguistics, lexicology and semantics, this paper makes a comprehensive analysis of the words of painting before the Yuan Dynasty. First of all, the article collates a total of 259 painting words of painting theory before Yuan Dynasty, which are divided into three categories. In the first category, there are 157 categories of painting names, including 27 related to paintings, 19 names of painting tools, 111 names of painting images, and 46 categories of painting colors, including 41 words and expressions of paint colors, The third category includes 56 types of painting techniques, including 34 words of painting techniques and 22 words of attitude and attitude in painting. Secondly, the article mainly classifies and analyzes the words of painting name, painting color and drawing method. This paper discriminates and analyzes the words which are similar in meaning and easy to be confused, combined with the meaning of ancient and modern words and the specific context, respectively, discriminates and analyzes the four groups of confusing words, such as red category, green category, white category and mixed color category, and makes use of the method of descriptive interpretation. The sememe analysis method further discriminates the words of painting tool materials and technical words. And the three categories of word formation, phrase structure type are analyzed and summarized. Furthermore, the paper makes a systematic analysis of the words of painting from different angles, compares the status of the words of painting before Yuan Dynasty, and probes into the inheritance and development of these words. The basic words in the core of painting show stability and inheritance; at the same time, new words are constantly produced to enrich the system of vocabulary of painting. Then it probes into the particularity of the special category words and their relevance to the common words, and analyzes the generalization of the special category words. Finally, from the point of view of aggregation relation and hierarchical combination relation, this paper systematically analyzes the words of painting. The words of painting are the convergent relations formed by the commonality of "painting related", and at the same time, they form the relationship of hierarchical combination with "qualitative difference". Finally, from the point of view of language and culture, this paper probes into the two kinds of color concepts before Yuan Dynasty, such as the emphasis on color and ink, and the light of color, as well as the aesthetic thoughts such as painting function, the relationship between form and spirit, and so on.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：H131

【相似文献】