戏剧肢体语言的潜在力量——浅谈《有人将至》肢体语言对剧本意蕴的深化

发布时间：2017-12-28 00:15

本文关键词：戏剧肢体语言的潜在力量——浅谈《有人将至》肢体语言对剧本意蕴的深化　出处：《戏剧文学》2016年02期 　论文类型：期刊论文

【摘要】：本文主要浅析挪威剧作家约翰·福瑟的代表作《有人将至》的舞台艺术创作。此作品为荒诞题材,如同乐诗一般的台词,极简的剧本提示,主要人物"他"和"她"来到了一个仿若与世隔绝的地方,即将开启他们新的生活。由于剧作家所给予的台词几乎都是重复叠加的,因此整场演出大多以戏剧肢体语言作为主要的表现形式,运用肢体创作代替复杂的舞台空间及时空的转换,成为演出时的重大亮点。戏剧肢体语言是推动演员的情绪、反应、状态的戏剧动作,是流动的动作,戏剧的流程。它最大的魅力就在于,能体现出演员及角色本身心中无法用普通语言来表现的情感和潜意识,肢体语言不但能使演员更加成功地塑造角色,更能给观众带来最直观的视觉冲击力,增添艺术美感,在戏剧表演中占据着不可缺少的重要地位。
[Abstract]:This article mainly analyzes the stage art creation of the representative work of John Fosse, a Norway playwright. This works for the absurd theme, like music poetic lines, minimalist script tips, the main characters "he" and "she" came to a secluded place like, they will open a new life. Because almost all playwrights' lines are superimposed repeatedly, so the whole performance is mostly represented by dramatic body language, and the use of body creation instead of complex stage space and temporal and spatial transformation has become a major highlight of the performance. The dramatic body language is a dramatic action that promotes the emotion, reaction and state of the actor, the movement of the actor and the flow of the drama. It is the biggest charm is that can reflect the actor and the role of the heart can not show itself in ordinary language emotion and the subconscious mind, body language can not only make the actor more successful, more can bring the audience visual impact of the most intuitive, add artistic beauty, occupies an important position indispensable in drama.
【作者单位】：吉林艺术学院戏剧影视学院;
【分类号】：I533.073
【正文快照】： _、引言《有人将至》是挪威作家约恩?福瑟的戏剧处女作。对于福瑟而言,这部作品是他与戏剧的第一次亲密接触,可谓是他与戏剧的初恋,有着其他作品无法取代的地位和意义。从戏剧风格上来讲,初读剧本时会徘徊在荒诞派戏剧和极简主义戏剧的影子中。剧中含有大量情感张力的极简语

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