中西悲剧差异及其文化探源

发布时间：2018-01-01 21:34

  本文关键词：中西悲剧差异及其文化探源　出处：《戏剧文学》2017年09期 　论文类型：期刊论文

  更多相关文章： 中西悲剧 悲剧意识 差异 文化探源

【摘要】：悲剧以其震撼心灵、探讯未来的审美之思,长期以来位为各文艺之首。现代悲剧概念来源于西学,自1904年王国维引入并以研究古典文艺,揭橥了中国古代悲剧之聚讼纷争,虽争鸣各有其时代烙印,却也深化人们对悲剧艺术的认识。中西方不同的历史流变、文化根基,产生了迥然有异的悲剧形态。梳理中西悲剧差异特征,分析背后的文化渊源,也是现代文化交融视阈下的辩证理性。
[Abstract]:Tragedy has long been the head of every literature and art for its soul shaking and exploring the aesthetic thinking of the future. The concept of modern tragedy originates from western studies and has been introduced by Wang Guowei since 1904 to study classical literature and art. Although each of them has its own brand of the times, it also deepens people's understanding of the art of tragedy. The historical changes and cultural foundations of China and the West are different. It is also the dialectical reason under the perspective of modern culture that combing the differences between Chinese and Western tragedies and analyzing the cultural origin behind them.
【作者单位】： 武汉城市职业学院;
【分类号】：I106
【正文快照】： 心理学认为,悲者,哀悯之情内蕴集聚而愤诸于外,具有深刻、不屈的情感特点。悲剧是以悲感、悲情、悲壮为审美内核的文艺形态。中西方文明,在其漫长的历史进程中,都体现为人类追逐理想、探索真理、求证命运的实践与抗争,路漫漫其修远,上下求索必有挫折、甚至毁灭,马克思曾说,人，

本文编号：1366312