形式之意味—作为自由创作者精神自传的《大师和玛格丽特》
发布时间：2018-11-28 17:23
【摘要】：布尔加科夫的长篇小说《大师和玛格丽特》,包括叙述沃兰德一行人造访莫斯科的魔鬼故事、“大师”和玛格丽特的爱情故事,以及本丢·彼拉多的历史故事三个部分。本文以“三体”式的结构来分析这三个部分,认为它是一种“有意味的形式”,呈现出了布氏小说绚丽的艺术特色及其深厚的内涵。小说所描述的时代与“三体”结构形成了戏剧式的二元关系。“三体”结构为作品的时代提供了一副镜像,在魔鬼、爱情与历史的三层叙事中,小说为布尔加科夫的同时代人展现出奇幻的生存写照。同时,在这个镜像中我们也得以观察到作家的精神探索:在幽暗时代中追寻个体自由。在“三体”结构的内部,主人公“大师”所写的本丢·彼拉多故事构成了作品的核心,本丢·彼拉多则与“大师”形成了潜在的精神共鸣。而在“三体”结构的风格层面形成了魔幻与写实、魔幻与浪漫、肃穆与感伤的叙事张力。张力关系的形成,实际上反映了作家与创作、作家与世界之间的紧张关系。
[Abstract]:Bulgakov's novel the Master and Marguerite consists of three parts: the devil's story of Waland and his party's visit to Moscow, the love story of the Master and Margaret, and the historical story of Pontius Pilate. This paper analyzes these three parts with the structure of "three bodies", and considers it to be a "meaningful form", which presents the brilliant artistic features and profound connotations of Boucher's novels. The era described in the novel forms a dramatic dualistic relationship with the three-body structure. The structure of "three bodies" provides a mirror image for the times of the works. In the three levels of narration of devil, love and history, the novel shows the fantastic existence of Bulgakov's contemporaries. At the same time, in this mirror image, we can observe the writer's spiritual exploration: the pursuit of individual freedom in the dark age. Within the three-body structure, the story of Bendius Pilate, written by the protagonist the Master, forms the core of the work, and Bendius Pilate has a potential spiritual resonance with the Master. In the style of "three-body" structure, the narrative tension of magic and realism, magic and romance, solemn and sentimental is formed. The formation of tension actually reflects the tension between writer and creation and between writer and the world.
【学位授予单位】：天津外国语大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I512.074
本文编号：2363680
[Abstract]:Bulgakov's novel the Master and Marguerite consists of three parts: the devil's story of Waland and his party's visit to Moscow, the love story of the Master and Margaret, and the historical story of Pontius Pilate. This paper analyzes these three parts with the structure of "three bodies", and considers it to be a "meaningful form", which presents the brilliant artistic features and profound connotations of Boucher's novels. The era described in the novel forms a dramatic dualistic relationship with the three-body structure. The structure of "three bodies" provides a mirror image for the times of the works. In the three levels of narration of devil, love and history, the novel shows the fantastic existence of Bulgakov's contemporaries. At the same time, in this mirror image, we can observe the writer's spiritual exploration: the pursuit of individual freedom in the dark age. Within the three-body structure, the story of Bendius Pilate, written by the protagonist the Master, forms the core of the work, and Bendius Pilate has a potential spiritual resonance with the Master. In the style of "three-body" structure, the narrative tension of magic and realism, magic and romance, solemn and sentimental is formed. The formation of tension actually reflects the tension between writer and creation and between writer and the world.
【学位授予单位】：天津外国语大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I512.074
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