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后殖民女性主义视角下的《所罗门之歌》

发布时间:2018-01-09 09:10

  本文关键词:后殖民女性主义视角下的《所罗门之歌》 出处:《西北大学》2013年硕士论文 论文类型:学位论文


  更多相关文章: 《所罗门之歌》 后殖民女性主义 斯皮瓦克 黑人女性 身份


【摘要】:本文旨在从后殖民女性主义这一视角来分析《所罗门之歌》中黑人女性身份和主体性的重构,从而为这部作品的解读提供了新的视角。 托尼·莫里森是美国当代文学史上最为杰出的小说家之一,也是首位获得诺贝尔文学奖的美国黑人女作家。黑人和女性的双重身份使她能够以特有的视角来审视黑人女性的内心世界,并以小说这种形式来关注和记录黑人女性的命运。后殖民女性主义产生于20世纪八九十年代,是由后殖民主义和女性主义结合形成的一种新的批评理论。不同于西方女性主义,这一理论强调处于弱势地位的女性,尤其是第三世界女性的呼声和诉求。《所罗门之歌》是一部以黑人男性为主人公的作品,但莫里森同时也在这部作品中刻画了一组栩栩如生、性格迥异的黑人女性形象。作品反映了白人的西方文化和黑人的传统文化之间的对峙与冲突,随着自我意识的觉醒,黑人女性重新找回了话语权和主体性。 本文运用后殖民主义和女性主义的共同点,从后殖民女性主义视角,对美国黑人女性作家托尼·莫里森的小说《所罗门之歌》进行了解读,同时探讨了父权制和白人文化霸权对黑人女性的精神压迫和毒害,黑人的民族文化传统传承的重要性,黑人女性自我意识的觉醒和抗争以及黑人女性身份的重构。本文的解读丰富了《所罗门之歌》的分析视角,并为读者对这部作品的理解提供了新的视野和见解。
[Abstract]:The purpose of this paper is to analyze the reconstruction of the identity and subjectivity of black women in Song of Solomon from the perspective of post-colonial feminism, thus providing a new perspective for the interpretation of the novel. Tony Morrison is one of the most outstanding novelists in the history of contemporary American literature. She is also the first black American writer to win the Nobel Prize for Literature. The dual identity of black and female enables her to examine the inner world of black women from a unique perspective. The post-colonial feminism came into being in the 1980s and 1990s in 20th century. It is a new critical theory formed by the combination of postcolonialism and feminism. Different from western feminism, this theory emphasizes women in a weak position. "Song of Solomon" is a work in which black men are the protagonists, but Morrison also portrays a group of lifelike characters in this work. The works reflect the confrontation and conflict between white western culture and black traditional culture. With the awakening of self-consciousness, black women regain their right of speech and subjectivity. Using the common denominator of post-colonialism and feminism, this paper interprets the novel "Song of Solomon" by Tony Morrison, a black American female writer, from the perspective of post-colonial feminism. At the same time, it discusses the spiritual oppression and poison of patriarchal system and white cultural hegemony to black women, and the importance of the inheritance of black national cultural tradition. The awakening and struggle of the self-consciousness of black women and the reconstruction of the identity of black women enrich the analytical perspective of Song of Solomon and provide readers with a new perspective and insights to understand the novel.
【学位授予单位】:西北大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:I712.074

【参考文献】

相关期刊论文 前2条

1 王惠惠;;《所罗门之歌》成长主题的分析[J];和田师范专科学校学报;2010年01期

2 任雪梅;;论《所罗门之歌》中的魔幻现实主义[J];作家;2011年10期



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