论俄国象征主义诗歌

发布时间：2018-01-17 21:06

本文关键词：论俄国象征主义诗歌　出处：《西安外国语大学》2013年硕士论文　论文类型：学位论文

【摘要】：20世纪初期的“白银时代”被称为俄罗斯的文艺复兴时代，在这一辉煌的时期，诞生了俄罗斯现代主义文学的三大流派———象征主义、阿克梅主义和未来主义，造就了一大批的诗歌大师和卓越的文学作品。这三大流派，居于首位的就是象征主义，其成就之高，规模之大，堪称俄国诗歌史上继普希金之后的又一次繁荣。由于种种历史原因，过去对俄国现代主义文学重视不够，也颇多偏见，甚至将其视为俄国文学的颓废，归入“颓废派”。在20世纪90年代以前的各类俄苏文学史论著作中，俄国现代主义文学一直没得到应有的关注。到90年代初苏联解体后，，象征主义流派的诗歌才引起人们的重视，但囿于个案研究，虽然从创作方法、语言特点、哲学观点等层面研究象征主义已取得了许多成果，但在国内外研究领域，俄国象征主义诗歌内涵的色彩性、音乐性、语言的隐蔽晦涩、朦胧和应和等诗学手段常常被忽略，尤其是研究俄国象征派诗歌总体的诗学特征目前还处于空白。鉴于此，在充分吸收国内外相关研究资料成果的基础上，笔者拟以俄国象征主义诗歌作为切入点，运用文本分析和比较研究中的影响研究相结合的方法，阐述了象征派诗歌从萌芽到衰落的整个发展过程，力图证明象征派在法国象征主义的影响之下，继承本国的文学传统，形成了具有鲜明特色的俄国象征主义，同时，由于种种思想和社会原因，象征主义作为一个流派最终被淹没在时代的浪潮中。第二章着重分析了“年长一代”诗人巴尔蒙特和“年轻一代”诗人勃洛克的诗歌创作主题，在此基础上，第三章深入剖析俄国象征派诗歌的音乐性、色彩性、神秘和宗教性等诗学特征。最后，还将俄国象征主义诗歌与老子《道德经》的思想进行了比较，从象征派诗歌中找寻中国传统文化的踪迹。从中可以得出：俄国象征派诗歌受到法国象征主义的影响，形成了具有本土化特点的诗学特征，且它的美学观与中国的道家思想有共通之处。
[Abstract]:In the beginning of 20th century, "Silver Age" was called the Russian Renaissance, in this glorious period, the birth of three major schools of Russian modernist literature-symbolism. Akimeism and futurism created a large number of master poetry and outstanding literary works. These three schools of thought is symbolism in the first place, its achievements are high, the scale of the large. Due to various historical reasons, the Russian modernist literature in the past was not paid enough attention to, and quite a lot of prejudice, even regarded it as the decadence of Russian literature. Classified as "decadent School", Russian modernist literature has not been given due attention in all kinds of Russian and Soviet literary history works before 1990s. After the disintegration of the Soviet Union in early 90s. The poetry of symbolism school has attracted people's attention, but limited by the case study, although from the creative methods, language characteristics, philosophical views and other aspects of symbolism has achieved a lot of results. However, in the field of research at home and abroad, the poetic means of Russian symbolism poetry, such as color, musicality, covert obscurity, hazy harmony and so on, are often ignored. In particular, the study of the overall poetic characteristics of Russian symbolism is still in blank. In view of this, on the basis of fully absorbing the relevant research results at home and abroad, the author intends to take Russian symbolism poetry as the breakthrough point. By using the method of text analysis and comparative study, this paper expounds the whole development process of symbolism from the beginning to the decline, and tries to prove that the symbolism is under the influence of French symbolism. Inheriting the literary tradition of our country formed the Russian symbolism with distinctive characteristics, at the same time, because of various ideological and social reasons. Symbolism as a school was eventually submerged in the tide of the times. The second chapter focuses on the "older generation" poet Barmont and the "young generation" poet Bullock on the basis of the theme of poetry. The third chapter deeply analyzes the poetic characteristics of Russian symbolism, such as musicality, color, mystery and religion. Finally, it compares the Russian symbolism poetry with the thought of Laozi's "the Book of morality". It can be concluded that Russian symbolism is influenced by French symbolism and has formed a poetic characteristic of localization from the trace of Chinese traditional culture in symbolism poetry. And its aesthetic view and Chinese Taoist thought have common ground.
【学位授予单位】：西安外国语大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I512.072

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